The Project Gutenberg EBook of Index of the Project Gutenberg Works of Bret Harte, by Bret Harte This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg Works of Bret Harte Author: Bret Harte Editor: David Widger Release Date: April 17, 2019 [EBook #59300] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF HARTE *** Produced by David Widger
AN APOSTLE OF THE TULES |
SARAH WALKER |
A SHIP OF '49 |
|
|
|
|
CHAPTER I | CHAPTER II | CHAPTER III | CHAPTER IV | CHAPTER V |
CHAPTER VI | CHAPTER VII | CHAPTER VIII | CHAPTER IX | CHAPTER X |
CHAPTER XI | CHAPTER XII | CHAPTER XIII |
PROLOGUE | CHAPTER I | CHAPTER II | CHAPTER III | CHAPTER IV |
CHAPTER V | CHAPTER VI | CHAPTER VII | CHAPTER VIII | CHAPTER IX |
HANDSOME IS AS HANDSOME DOES |
LOTHAW, or THE ADVENTURES OF A YOUNG GENTLEMAN IN SEARCH OF A RELIGION |
MUCK-A-MUCK, A MODERN INDIAN NOVEL, AFTER JAMES FENIMORE COOPER |
TERENCE DENVILLE |
SELINA SEDILIA |
THE NINETY-NINE GUARDSMEN [AFTER THE THREE MUSKETEERS, BY DUMAS] |
THE DWELLER OF THE THRESHOLD |
THE HAUNTED MAN |
MISS MIX [AFTER CHARLOTTE BRONTE] |
GUY HEAVYSTONE; OR, "ENTIRE." |
MR. MIDSHIPMAN BREEZY |
JOHN JENKINS; OR, THE SMOKER REFORMED |
NO TITLE [AFTER WILKIE COLLINS] |
Contains: |
MARY JONES'S NARRATIVE |
THE SLIM YOUNG MAN'S STORY |
NO. 27 LIMEHOUSE ROAD |
COUNT MOSCOW'S NARRATIVE |
DR. DIGGS'S STATEMENT |
BEING A NOVEL IN THE FRENCH PARAGRAPHIC STYLE |
FANTINE |
LA FEMME |
MARY MCGILLUP, A SOUTHERN NOVEL, AFTER BELLE BOYD |
RUPERT THE RESEMBLER [After Rupert of Hentzau and Prisoner of Zenda] |
THE STOLEN CIGAR CASE By A. CO--N D--LE |
GOLLY AND THE CHRISTIAN, OR THE MINX AND THE MANXMAN By H-LL C—NE |
THE ADVENTURES OF JOHN LONGBOWE, YEOMAN BEING A MODERN-ANTIQUE REALISTIC ROMANCE (COMPILED FROM SEVERAL EMINENT SOURCES) |
DAN'L BOREM BY E. N---S W--T---T |
STORIES THREE BY R-DY--D K-PL--G |
"ZUT-SKI" THE PROBLEM OF A WICKED FEME SOLE BY M-R-E C-R-LLI |
|
|
|
|
PROLOGUE | CHAPTER I | CHAPTER II | CHAPTER III |
CHAPTER IV | CHAPTER V | CHAPTER VI |
THE HERITAGE OF DEDLOW MARSH |
A KNIGHT-ERRANT OF THE FOOT-HILLS |
A SECRET OF TELEGRAPH HILL |
CAPTAIN JIM'S FRIEND |
|
|
|
|
|
|
|
|
|
TRENT'S TRUST |
MR. MACGLOWRIE'S WIDOW |
A WARD OF COLONEL STARBOTTLE'S |
PROSPER'S “OLD MOTHER” |
THE CONVALESCENCE OF JACK HAMLIN |
A PUPIL OF CHESTNUT RIDGE |
DICK BOYLE'S BUSINESS CARD |
|
|
|
|
BIOGRAPHICAL SKETCH |
POEMS |
I. NATIONAL |
JOHN BURNS OF GETTYSBURG |
"HOW ARE YOU, SANITARY?" |
BATTLE BUNNY |
THE REVEILLE |
OUR PRIVILEGE |
RELIEVING GUARD |
THE GODDESS |
ON A PEN OF THOMAS STARR KING |
A SECOND REVIEW OF THE GRAND ARMY |
THE COPPERHEAD |
A SANITARY MESSAGE |
THE OLD MAJOR EXPLAINS |
CALIFORNIA'S GREETING TO SEWARD |
THE AGED STRANGER |
THE IDYL OF BATTLE HOLLOW |
CALDWELL OF SPRINGFIELD |
POEM |
MISS BLANCHE SAYS |
AN ARCTIC VISION |
ST. THOMAS |
OFF SCARBOROUGH |
CADET GREY |
II. SPANISH IDYLS AND LEGENDS |
THE MIRACLE OF PADRE JUNIPERO |
THE WONDERFUL SPRING OF SAN JOAQUIN |
THE ANGELUS |
CONCEPCION DE ARGUELLO |
"FOR THE KING" |
RAMON |
DON DIEGO OF THE SOUTH |
AT THE HACIENDA |
FRIAR PEDRO'S RIDE |
IN THE MISSION GARDEN |
THE LOST GALLEON* |
III. IN DIALECT |
"JIM" |
CHIQUITA |
DOW'S FLAT |
IN THE TUNNEL |
"CICELY" |
PENELOPE |
PLAIN LANGUAGE FROM TRUTHFUL JAMES |
THE SOCIETY UPON THE STANISLAUS |
LUKE |
"THE BABES IN THE WOODS" |
THE LATEST CHINESE OUTRAGE |
TRUTHFUL JAMES TO THE EDITOR |
AN IDYL OF THE ROAD |
THOMPSON OF ANGELS |
THE HAWK'S NEST |
HER LETTER |
HIS ANSWER TO "HER LETTER" |
"THE RETURN OF BELISARIUS" |
FURTHER LANGUAGE FROM TRUTHFUL JAMES |
AFTER THE ACCIDENT |
THE GHOST THAT JIM SAW |
"SEVENTY-NINE" |
THE STAGE-DRIVER'S STORY |
A QUESTION OF PRIVILEGE |
THE THOUGHT-READER OF ANGELS |
THE SPELLING BEE AT ANGELS |
ARTEMIS IN SIERRA |
JACK OF THE TULES |
IV. MISCELLANEOUS |
A GREYPORT LEGEND |
A NEWPORT ROMANCE |
SAN FRANCISCO |
THE MOUNTAIN HEART'S-EASE |
GRIZZLY. |
MADRONO |
COYOTE |
TO A SEA-BIRD |
WHAT THE CHIMNEY SANG |
DICKENS IN CAMP |
"TWENTY YEARS" |
FATE |
GRANDMOTHER TENTERDEN |
GUILD'S SIGNAL |
ASPIRING MISS DE LAINE |
A LEGEND OF COLOGNE |
THE TALE OF A PONY |
ON A CONE OF THE BIG TREES |
LONE MOUNTAIN |
ALNASCHAR |
THE TWO SHIPS |
ADDRESS |
DOLLY VARDEN |
TELEMACHUS VERSUS MENTOR |
WHAT THE WOLF REALLY SAID TO LITTLE RED RIDING-HOOD |
HALF AN HOUR BEFORE SUPPER |
WHAT THE BULLET SANG |
THE OLD CAMP-FIRE |
THE STATION-MASTER OF LONE PRAIRIE |
THE MISSION BELLS OF MONTEREY |
"CROTALUS" |
ON WILLIAM FRANCIS BARTLETT |
THE BIRDS OF CIRENCESTER |
LINES TO A PORTRAIT, BY A SUPERIOR PERSON |
HER LAST LETTER |
V. PARODIES |
BEFORE THE CURTAIN |
TO THE PLIOCENE SKULL* |
THE BALLAD OF MR. COOKE |
THE BALLAD OF THE EMEU |
MRS. JUDGE JENKINS |
A GEOLOGICAL MADRIGAL |
AVITOR |
THE WILLOWS |
NORTH BEACH |
THE LOST TAILS OF MILETUS |
THE RITUALIST |
A MORAL VINDICATOR |
CALIFORNIA MADRIGAL |
WHAT THE ENGINES SAID |
THE LEGENDS OF THE RHINE |
SONGS WITHOUT SENSE |
MASTER JOHNNY'S NEXT-DOOR NEIGHBOR |
MISS EDITH'S MODEST REQUEST |
MISS EDITH MAKES IT PLEASANT FOR BROTHER JACK |
MISS EDITH MAKES ANOTHER FRIEND |
WHAT MISS EDITH SAW FROM HER WINDOW |
ON THE LANDING |
NOTES |
“UNSER KARL” |
UNCLE JIM AND UNCLE BILLY |
SEE YUP |
THE DESBOROUGH CONNECTIONS |
SALOMY JANE'S KISS |
THE MAN AND THE MOUNTAIN |
THE PASSING OF ENRIQUEZ |
A MERCURY OF THE FOOT-HILLS |
COLONEL STARBOTTLE FOR THE PLAINTIFF |
THE LANDLORD OF THE BIG FLUME HOTEL |
A BUCKEYE HOLLOW INHERITANCE |
THE REINCARNATION OF SMITH |
LANTY FOSTER'S MISTAKE |
AN ALI BABA OF THE SIERRAS |
MISS PEGGY'S PROTEGES |
THE GODDESS OF EXCELSIOR |
FROM SAND HILL TO PINE |
A NIECE OF SNAPSHOT HARRY'S |
A TREASURE OF THE REDWOODS |
A BELLE OF CANADA CITY |
WHAT HAPPENED AT THE FONDA |
A JACK AND JILL OF THE SIERRAS |
MR. BILSON'S HOUSEKEEPER |
CHAPTER I |
CHAPTER II |
CHAPTER III |
TWO AMERICANS |
THE JUDGMENT OF BOLINAS PLAIN |
THE STRANGE EXPERIENCE OF ALKALI DICK |
A NIGHT ON THE DIVIDE |
A TALE OF THREE TRUANTS |
JIMMY'S BIG BROTHER FROM CALIFORNIA |
THE YOUNGEST MISS PIPER |
A WIDOW OF THE SANTA ANA VALLEY |
THE MERMAID OF LIGHTHOUSE POINT |
UNDER THE EAVES |
HOW REUBEN ALLEN “SAW LIFE” IN SAN FRANCISCO |
THREE VAGABONDS OF TRINIDAD |
A VISION OF THE FOUNTAIN |
A ROMANCE OF THE LINE |
BOHEMIAN DAYS IN SAN FRANCISCO |
MR. JACK HAMLIN'S MEDIATION |
THE MAN AT THE SEMAPHORE |
AN ESMERALDA OF ROCKY CANYON |
DICK SPINDLER'S FAMILY CHRISTMAS |
WHEN THE WATERS WERE UP AT “JULES'” |
THE BOOM IN THE “CALAVERAS CLARION” |
THE SECRET OF SOBRIENTE'S WELL |
LIBERTY JONES'S DISCOVERY |
|
|
|
DRAMATIS PERSONAE |
COSTUMES |
TWO MEN OF SANDY BAR |
ACT I |
ACT II. |
ACT III. |
ACT IV. |
AT THE MISSION OF SAN CARMEL |
PROLOGUE |
CHAPTER I. |
CHAPTER II |
CHAPTER III |
CHAPTER IV |
A BLUE GRASS PENELOPE |
CHAPTER I |
CHAPTER II |
CHAPTER III |
CHAPTER IV |
CHAPTER V |
LEFT OUT ON LONE STAR MOUNTAIN. |
CHAPTER I |
CHAPTER II |
MRS. SKAGGS'S HUSBANDS. |
HOW SANTA CLAUS CAME TO SIMPSON'S BAR. |
THE PRINCESS BOB AND HER FRIENDS. |
THE ILIAD OF SANDY BAR. |
MR THOMPSON'S PRODIGAL |
THE ROMANCE OF MADRONO HOLLOW. |
THE POET OF SIERRA FLAT. |
THE CHRISTMAS GIFT THAT CAME TO RUPERT. |
A VENERABLE IMPOSTOR. |
FROM A BALCONY |
MELONS |
SURPRISING ADVENTURES OF MASTER CHARLES SUMMERTON. |
SIDEWALKINGS |
A BOYS' DOG |
CHARITABLE REMINISCENCES |
“SEEING THE STEAMER OFF” |
NEIGHBORHOODS I HAVE MOVED FROM |
MY SUBURBAN RESIDENCE. |
ON A VULGAR LITTLE BOY |
WAITING FOR THE SHIP. |
THE LEGEND OF MONTE DEL DIABLO. |
THE ADVENTURE OF PADRE VINCENTIO |
THE LEGEND OF DEVIL'S POINT. |
THE DEVIL AND THE BROKER |
THE OGRESS OF SILVER LAND; |
THE RUINS OF SAN FRANCISCO |
A NIGHT AT WINGDAM. |
|
|
|
|
|
|
THE BELL-RINGER OF ANGEL'S |
CHAPTER I. |
CHAPTER II. |
CHAPTER III. |
CHAPTER IV. |
JOHNNYBOY. |
YOUNG ROBIN GRAY. |
THE SHERIFF OF SISKYOU. |
A ROSE OF GLENBOGIE. |
THE MYSTERY OF THE HACIENDA. |
CHU CHU. |
MY FIRST BOOK. |
A PROTEGEE OF JACK HAMLIN'S. |
AN INGENUE OF THE SIERRAS. |
THE REFORMATION OF JAMES REDDY. |
THE HEIR OF THE McHULISHES. |
AN EPISODE OF WEST WOODLANDS. |
THE HOME-COMING OF JIM WILKES. |
|
|
SALLY DOWS. |
PROLOGUE. |
CHAPTER I. |
CHAPTER II. |
CHAPTER III. |
CHAPTER IV. |
CHAPTER V. |
CHAPTER VI. |
CHAPTER VII. |
THE CONSPIRACY OF MRS. BUNKER. |
THE TRANSFORMATION OF BUCKEYE CAMP |
THEIR UNCLE FROM CALIFORNIA. |
CHAPTER I. |
CHAPER II. |
CHAPER III. |
CHAPER IV. |
CHAPER V. |
|
|
|
COLONEL STARBOTTLE'S CLIENT. |
CHAPTER I. |
CHAPTER II. |
CHAPTER III. |
CHAPTER IV. |
THE POSTMISTRESS OF LAUREL RUN. |
CHAPTER I. |
CHAPTER II. |
A NIGHT AT “HAYS." |
CHAPTER I. |
CHAPTER II. |
JOHNSON'S “OLD WOMAN." |
THE NEW ASSISTANT AT PINE CLEARING SCHOOL. |
CHAPTER I. |
CHAPTER II. |
CHAPTER III. |
CHAPTER IV. |
IN A PIONEER RESTAURANT. |
CHAPTER I. |
CHAPTER II. |
A TREASURE OF THE GALLEON. |
OUT OF A PIONEER'S TRUNK. |
THE GHOSTS OF STUKELEY CASTLE. |
|
|
|
|
|
A SAPPHO OF GREEN SPRINGS |
THE CHATELAINE OF BURNT RIDGE |
CHAPTER I |
CHAPTER II |
CHAPTER III |
THROUGH THE SANTA CLARA WHEAT |
CHAPTER I |
CHAPTER II |
CHAPTER III |
CHAPTER IV |
CHAPTER V |
CHAPTER VI |
A MAECENAS OF THE PACIFIC SLOPE |
CHAPTER I |
CHAPTER II |
CHAPTER III |
CHAPTER IV |
CHAPTER V |
CHAPTER VI |
CHAPTER VII |
THE TWINS OF TABLE MOUNTAIN. |
AN HEIRESS OF RED DOG. |
THE GREAT DEADWOOD MYSTERY |
A LEGEND OF SAMMTSTADT |
VIEWS FROM A GERMAN SPION |
THE ROSE OF TUOLUMNE |
CHAPTER I |
CHAPTER II |
A PASSAGE IN THE LIFE OF MR. JOHN OAKHURST. |
WAN LEE, THE PAGAN |
HOW OLD MAN PLUNKETT WENT HOME |
THE FOOL OF FIVE FORKS |
BABY SYLVESTER. |
AN EPISODE OF FIDDLETOWN. |
A JERSEY CENTENARIAN |
|
|
|
|
FLIP: A CALIFORNIA ROMANCE. |
CHAPTER I. |
CHAPTER II. |
CHAPTER III. |
CHAPTER IV. |
CHAPTER V. |
CHAPTER VI. |
FOUND AT BLAZING STAR. |
IN THE CARQUINEZ WOODS. |
CHAPTER I. |
CHAPTER II. |
CHAPTER III. |
CHAPTER IV. |
CHAPTER V. |
CHAPTER VI. |
CHAPTER VII. |
CHAPTER VIII. |
CHAPTER IX. |
CHAPTER X. |
AT THE MISSION OF SAN CARMEL. |
A BLUE-GRASS PENELOPE |
LEFT OUT ON LONE STAR MOUNTAIN. |
A SHIP OF '49. |
I | A KISS AND AN ESCAPE | 1 |
II | THE LADY'S REFLECTIONS | 19 |
III | THE KISS REPEATED | 35 |
IV | ANOTHER ESCAPE | 59 |
|
|
PAGE | |
I'm sitting alone by the fire Dressed just as I came from the dance. (In color) Frontispiece |
|
Title. (In color) | |
Publishers' Note—Headpiece | 5 |
List of Designs—Headpiece | 7 |
Her Letter—Half-title |
11 |
Is wasting an hour upon you | 13 |
That waits—on the stairs—for me yet | 15 |
With whom do I waltz, flirt, or talk? | 17 |
To look supernaturally grand | 19 |
And the hum of the smallest of talk | 21 |
With the man that shot Sandy McGee. (In color) | 23 |
The man that shot Sandy McGee | 25 |
Of that ride,—that to me was the rarest | 27 |
And swam the North Fork, and all that | 29 |
Mamma says my taste still is low | 31 |
That my heart's somewhere there in the ditches | 33 |
His Answer—Half-title | 35 |
I should write what he runs off his tongue. (In color) | 37 |
Being asked by an intimate party | 39 |
That with you, Miss, he "challenges Fate" | 41 |
Though the claim not, at date, paying wages | 43 |
And the rose that you gave him. (In color) | 45 |
Is frequent and painful and free | 47 |
Imparts but small ease to the style | 49 |
In this green laurel spray that he treasures | 51 |
But he lies there quite peaceful and pensive | 53 |
For I have a small favor to ask you | 55 |
Here's my pile; which it's six hundred dollars | 57 |
Her Last Letter—Half-title |
59 |
That you last wrote the 4th of December | 61 |
And you're not to be found in the ditches. (In color) | 63 |
From this spot, that you said was the fairest | 65 |
To London, when Pa wired, "Stop" | 67 |
And as to the stories you've heard | 69 |
Whose father sold clothes on the Bar | 71 |
With a look, Joe, that made her eyes drop. (In color) | 73 |
To find myself here, all alone | 75 |
Ah! gone is the old necromancy | 77 |
And you called the place Eden, you know. (In color) | 79 |
And the copse where you once tied my shoe-knot | 81 |
There's the rustle of silk on the sidewalk | 83 |
But there's still the "lap, lap" of the river. (In color) | 85 |
There's a lot that remains which one fancies | 87 |
He thinks he may find you | 89 |
And good-night to the cañon that answers | 91 |
I've just got your note. You deceiver! | 93 |
Now I know why they had me transferred here. (In color) | 95 |
How dared you get rich—you great stupid! | 97 |
The man who shot Sandy McGee | |
You made mayor! | 99 |
Tailpiece | 100 |
BOOK I.—ON THE THRESHOLD. | |
---|---|
I. WITHOUT | 1 |
II. WITHIN | 9 |
III. GABRIEL | 21 |
IV. NATURE SHOWS THEM THE WAY | 26 |
V. OUT OF THE WOODS—INTO THE SHADOW | 30 |
VI. FOOTPRINTS | 36 |
VII. IN WHICH THE FOOTPRINTS BEGIN TO FADE | 40 |
VIII. THE FOOTPRINTS GROW FAINTER | 43 |
IX. IN WHICH THE FOOTPRINTS ARE LOST FOR EVER | 47 |
BOOK II.—AFTER FIVE YEARS. | |
I. ONE HORSE GULCH | 54 |
II. MADAME DEVARGES | 65 |
III. MRS. MARKLE | 74 |
IV. IN WHICH THE ARTFUL GABRIEL IS DISCOVERED | 87 |
V. SIMPLICITY versus SAGACITY | 95 |
BOOK III.—THE LEAD. | |
I. AN OLD PIONEER OF '49 | 108 |
II. A CLOUD OF WITNESSES | 118 |
III. THE CHARMING MRS. SEPULVIDA | 125 |
IV. FATHER FELIPE | 132 |
V. IN WHICH THE DONNA MARIA MAKES AN IMPRESSION | 140 |
VI. THE LADY OF GRIEF | 151 |
VII. A LEAF OUT OF THE PAST | 165 |
VIII. THE BULLS OF THE BLESSED TRINITY | 171 |
BOOK IV.—DRIFTING. | |
I. MR. AND MRS. CONROY AT HOME | 178 |
II. IN WHICH THE TREASURE IS FOUND—AND LOST | 191 |
III. MR. DUMPHY MEETS AN OLD FRIEND | 205 |
IV. MR. JACK HAMLIN TAKES A HOLIDAY | 212 |
V. VICTOR MAKES A DISCOVERY | 222 |
VI. AN EXPERT | 231 |
BOOK V.—THE VEIN. | |
I. IN WHICH GABRIEL RECOGNISES THE PROPRIETIES | 243 |
II. TRANSIENT GUESTS AT THE GRAND CONROY | 257 |
III. IN WHICH MR. DUMPHY TAKES A HOLIDAY | 266 |
IV. MR. DUMPHY HAS NEWS OF A DOMESTIC CHARACTER | 280 |
V. MRS. CONROY HAS AN UNEXPECTED VISITOR | 291 |
VI. GABRIEL DISCARDS HIS HOME AND WEALTH | 299 |
VII. WHAT PASSED UNDER THE PINE AND WHAT REMAINED THERE | 305 |
BOOK VI.—A DIP. | |
I. MR. HAMLIN'S RECREATION CONTINUED | 317 |
II. MR. HAMLIN TAKES A HAND | 325 |
III. MR DUMPHY TAKES POINSETT INTO CONFIDENCE | 338 |
IV. MR. HAMLIN IS OFF WITH AN OLD LOVE | 349 |
V. THE THREE VOICES | 354 |
VI. MR. DUMPHY IS PERPLEXED BY A MOVEMENT IN REAL ESTATE | 363 |
VII. IN WHICH BOTH JUSTICE AND THE HEAVENS FALL | 376 |
VIII. IN TENEBRIS SERVARE FIDEM | 387 |
IX. IN WHICH HECTOR ARISES FROM THE DITCH | 398 |
BOOK VII.—THE BED ROCK. | |
I. IN THE TRACK OF A STORM | 409 |
II. THE YELLOW ENVELOPE | 423 |
III. GABRIEL MEETS HIS LAWYER | 435 |
IV. WHAT AH FE DOES NOT KNOW | 447 |
V. THE PEOPLE v. JOHN DOE alias GABRIEL CONROY, AND JANE ROE alias JULIE CONROY | 452 |
VI. IN REBUTTAL | 461 |
VII. A FAMILY GREETING | 471 |
VIII. IN WHICH THE FOOTPRINTS RETURN | 477 |
IX. IN WHICH MR. HAMLIN PASSES | 481 |
X. IN THE OLD CABIN AGAIN | 491 |
XI. THE RETURN OF A FOOTPRINT | 495 |
XII. FRAGMENT OF A LETTER FROM OLYMPIA CONROY TO GRACE POINSETT | 497 |
End of the Project Gutenberg EBook of Index of the Project Gutenberg Works of Bret Harte, by Bret Harte *** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF HARTE *** ***** This file should be named 59300-h.htm or 59300-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/9/3/0/59300/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.