The Project Gutenberg EBook of The White People, by Frances Hodgson Burnett

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The White People

Author: Frances Hodgson Burnett

Release Date: March 14, 2006 [EBook #459]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK THE WHITE PEOPLE ***




Produced by Charles Keller and David Widger





THE WHITE PEOPLE

By Frances Hodgson Burnett





TO LIONEL

     "The stars come nightly to the sky;
     The tidal wave unto the sea;
     Nor time, nor space, nor deep, nor high
     Can keep my own away from me."




THE WHITE PEOPLE



CHAPTER I

Perhaps the things which happened could only have happened to me. I do
not know. I never heard of things like them happening to any one else.
But I am not sorry they did happen. I am in secret deeply and strangely
glad. I have heard other people say things--and they were not always
sad people, either--which made me feel that if they knew what I know it
would seem to them as though some awesome, heavy load they had always
dragged about with them had fallen from their shoulders. To most people
everything is so uncertain that if they could only see or hear and know
something clear they would drop upon their knees and give thanks. That
was what I felt myself before I found out so strangely, and I was only a
girl. That is why I intend to write this down as well as I can. It will
not be very well done, because I never was clever at all, and always
found it difficult to talk.

I say that perhaps these things could only have happened to me, because,
as I look back over my life, I realize that it has always been a rather
curious one. Even when those who took care of me did not know I was
thinking at all, I had begun to wonder if I were not different from
other children. That was, of course, largely because Muircarrie
Castle was in such a wild and remote part of Scotland that when my few
relations felt they must pay me a visit as a mere matter of duty, their
journey from London, or their pleasant places in the south of England,
seemed to them like a pilgrimage to a sort of savage land; and when a
conscientious one brought a child to play with me, the little civilized
creature was as frightened of me as I was of it. My shyness and fear of
its strangeness made us both dumb. No doubt I seemed like a new breed of
inoffensive little barbarian, knowing no tongue but its own.

A certain clannish etiquette made it seem necessary that a relation
should pay me a visit sometimes, because I was in a way important. The
huge, frowning feudal castle standing upon its battlemented rock was
mine; I was a great heiress, and I was, so to speak, the chieftainess
of the clan. But I was a plain, undersized little child, and had no
attraction for any one but Jean Braidfute, a distant cousin, who took
care of me, and Angus Macayre, who took care of the library, and who was
a distant relative also. They were both like me in the fact that they
were not given to speech; but sometimes we talked to one another, and I
knew they were fond of me, as I was fond of them. They were really all I
had.

When I was a little girl I did not, of course, understand that I was
an important person, and I could not have realized the significance of
being an heiress. I had always lived in the castle, and was used to its
hugeness, of which I only knew corners. Until I was seven years old,
I think, I imagined all but very poor people lived in castles and were
saluted by every one they passed. It seemed probable that all little
girls had a piper who strode up and down the terrace and played on the
bagpipes when guests were served in the dining-hall.

My piper's name was Feargus, and in time I found out that the guests
from London could not endure the noise he made when he marched to and
fro, proudly swinging his kilts and treading like a stag on a hillside.
It was an insult to tell him to stop playing, because it was his
religion to believe that The Muircarrie must be piped proudly to;
and his ancestors had been pipers to the head of the clan for five
generations. It was his duty to march round the dining-hall and play
while the guests feasted, but I was obliged in the end to make him
believe that he could be heard better from the terrace--because when he
was outside his music was not spoiled by the sound of talking. It was
very difficult, at first. But because I was his chieftainess, and had
learned how to give orders in a rather proud, stern little voice, he
knew he must obey.

Even this kind of thing may show that my life was a peculiar one; but
the strangest part of it was that, while I was at the head of so many
people, I did not really belong to any one, and I did not know that this
was unusual. One of my early memories is that I heard an under-nursemaid
say to another this curious thing: "Both her father and mother were dead
when she was born." I did not even know that was a remarkable thing to
say until I was several years older and Jean Braidfute told me what had
been meant.

My father and mother had both been very young and beautiful and
wonderful. It was said that my father was the handsomest chieftain in
Scotland, and that his wife was as beautiful as he was. They came to
Muircarrie as soon as they were married and lived a splendid year there
together. Sometimes they were quite alone, and spent their days fishing
or riding or wandering on the moor together, or reading by the fire in
the library the ancient books Angus Macayre found for them. The library
was a marvelous place, and Macayre knew every volume in it. They used
to sit and read like children among fairy stories, and then they would
persuade Macayre to tell them the ancient tales he knew--of the days
when Agricola forced his way in among the Men of the Woods, who would
die any savage death rather than be conquered. Macayre was a sort of
heirloom himself, and he knew and believed them all.

I don't know how it was that I myself seemed to see my young father and
mother so clearly and to know how radiant and wildly in love they
were. Surely Jean Braidfute had not words to tell me. But I knew. So I
understood, in a way of my own, what happened to my mother one brilliant
late October afternoon when my father was brought home dead--followed by
the guests who had gone out shooting with him. His foot had caught in a
tuft of heather, and his gun in going off had killed him. One moment
he had been the handsomest young chieftain in Scotland, and when he was
brought home they could not have let my mother see his face.

But she never asked to see it. She was on the terrace which juts over
the rock the castle is built on, and which looks out over the purple
world of climbing moor. She saw from there the returning party of
shooters and gillies winding its way slowly through the heather,
following a burden carried on a stretcher of fir boughs. Some of her
women guests were with her, and one of them said afterward that when she
first caught sight of the moving figures she got up slowly and crept
to the stone balustrade with a crouching movement almost like a young
leopardess preparing to spring. But she only watched, making neither
sound nor movement until the cortege was near enough for her to see that
every man's head was bowed upon his breast, and not one was covered.

Then she said, quite slowly, "They--have--taken off--their bonnets," and
fell upon the terrace like a dropped stone.

It was because of this that the girl said that she was dead when I was
born. It must have seemed almost as if she were not a living thing.
She did not open her eyes or make a sound; she lay white and cold.
The celebrated physicians who came from London talked of catalepsy
and afterward wrote scientific articles which tried to explain her
condition. She did not know when I was born. She died a few minutes
after I uttered my first cry.

I know only one thing more, and that Jean Braidfute told me after I grew
up. Jean had been my father's nursery governess when he wore his first
kilts, and she loved my mother fondly.

"I knelt by her bed and held her hand and watched her face for three
hours after they first laid her down," she said. "And my eyes were so
near her every moment that I saw a thing the others did not know her
well enough, or love her well enough, to see.

"The first hour she was like a dead thing--aye, like a dead thing that
had never lived. But when the hand of the clock passed the last second,
and the new hour began, I bent closer to her because I saw a change
stealing over her. It was not color--it was not even a shadow of a
motion. It was something else. If I had spoken what I felt, they would
have said I was light-headed with grief and have sent me away. I have
never told man or woman. It was my secret and hers. I can tell you,
Ysobel. The change I saw was as if she was beginning to listen to
something--to listen.

"It was as if to a sound--far, far away at first. But cold and white as
stone she lay content, and listened. In the next hour the far-off
sound had drawn nearer, and it had become something else--something she
saw--something which saw her. First her young marble face had peace in
it; then it had joy. She waited in her young stone body until you were
born and she could break forth. She waited no longer then.

"Ysobel, my bairn, what I knew was that he had not gone far from the
body that had held him when he fell. Perhaps he had felt lost for a bit
when he found himself out of it. But soon he had begun to call to her
that was like his own heart to him. And she had heard. And then, being
half away from earth herself, she had seen him and known he was waiting,
and that he would not leave for any far place without her. She was so
still that the big doctors thought more than once she had passed. But I
knew better."

It was long before I was old enough to be told anything like this that I
began to feel that the moor was in secret my companion and friend, that
it was not only the moor to me, but something else. It was like a thing
alive--a huge giant lying spread out in the sun warming itself, or
covering itself with thick, white mist which sometimes writhed and
twisted itself into wraiths. First I noticed and liked it some day,
perhaps, when it was purple and yellow with gorse and heather and broom,
and the honey scents drew bees and butterflies and birds. But soon I saw
and was drawn by another thing.

How young was I that afternoon when I sat in the deep window and watched
the low, soft whiteness creeping out and hovering over the heather as
if the moor had breathed it? I do not remember. It was such a low little
mist at first; and it crept and crept until its creeping grew into
something heavier and whiter, and it began to hide the heather and
the gorse and broom, and then the low young fir-trees. It mounted and
mounted, and sometimes a breath of wind twisted it into weird shapes,
almost like human creatures. It opened and closed again, and then it
dragged and crept and grew thicker. And as I pressed my face against the
window-pane, it mounted still higher and got hold of the moor and hid
it, hanging heavy and white and waiting. That was what came into my
child mind: that it had done what the moor had told it to do; had hidden
things which wanted to be hidden, and then it waited.

Strangers say that Muircarrie moor is the most beautiful and the most
desolate place in the world, but it never seemed desolate to me. From my
first memory of it I had a vague, half-comforted feeling that there
was some strange life on it one could not exactly see, but was always
conscious of. I know now why I felt this, but I did not know then.

If I had been older when I first began to see what I did see there, I
should no doubt have read things in books which would have given rise
in my mind to doubts and wonders; but I was only a little child who had
lived a life quite apart from the rest of the world. I was too silent by
nature to talk and ask questions, even if I had had others to talk to. I
had only Jean and Angus, and, as I found out years later, they knew what
I did not, and would have put me off with adroit explanations if I had
been curious. But I was not curious. I accepted everything as it came
and went.



CHAPTER II

I only six when Wee Brown Elspeth was brought to me. Jean and Angus were
as fond of each other in their silent way as they were of me, and they
often went together with me when I was taken out for my walks. I was
kept in the open air a great deal, and Angus would walk by the side of
my small, shaggy Shetland pony and lead him over rough or steep places.
Sheltie, the pony, was meant for use when we wished to fare farther than
a child could walk; but I was trained to sturdy marching and climbing
even from my babyhood. Because I so loved the moor, we nearly always
rambled there. Often we set out early in the morning, and some simple
food was carried, so that we need not return to the castle until we
chose. I would ride Sheltie and walk by turns until we found a place
I liked; then Jean and Angus would sit down among the heather, Sheltie
would be secured, and I would wander about and play in my own way. I do
not think it was in a strange way. I think I must have played as almost
any lonely little girl might have played. I used to find a corner among
the bushes and pretend it was my house and that I had little friends who
came to play with me. I only remember one thing which was not like the
ordinary playing of children. It was a habit I had of sitting quite
still a long time and listening. That was what I called it--"listening."
I was listening to hear if the life on the moor made any sound I could
understand. I felt as if it might, if I were very still and listened
long enough.

Angus and Jean and I were not afraid of rain and mist and change of
weather. If we had been we could have had little outdoor life. We always
carried plaids enough to keep us warm and dry. So on this day I speak
of we did not turn back when we found ourselves in the midst of a sudden
mist. We sat down in a sheltered place and waited, knowing it would lift
in time. The sun had been shining when we set out.

Angus and Jean were content to sit and guard me while I amused myself.
They knew I would keep near them and run into no danger. I was not an
adventurous child. I was, in fact, in a more than usually quiet mood
that morning. The quiet had come upon me when the mist had begun to
creep about and inclose us. I liked it. I liked the sense of being shut
in by the soft whiteness I had so often watched from my nursery window
in the castle.

"People might be walking about," I said to Angus when he lifted me from
Sheltie's back.

"We couldn't see them. They might be walking."

"Nothing that would hurt ye, bairnie," he answered.

"No, they wouldn't hurt me," I said. I had never been afraid that
anything on the moor would hurt me.

I played very little that day. The quiet and the mist held me still.
Soon I sat down and began to "listen." After a while I knew that Jean
and Angus were watching me, but it did not disturb me. They often
watched me when they thought I did not know they were doing it.

I had sat listening for nearly half an hour when I heard the first
muffled, slow trampling of horses' hoofs. I knew what it was even before
it drew near enough for me to be conscious of the other sounds--the
jingling of arms and chains and the creaking of leather one notices as
troopers pass by. Armed and mounted men were coming toward me. That was
what the sounds meant; but they seemed faint and distant, though I knew
they were really quite near. Jean and Angus did not appear to hear them.
I knew that I only heard them because I had been listening.

Out of the mist they rode a company of wild-looking men wearing garments
such as I had never seen before. Most of them were savage and uncouth,
and their clothes were disordered and stained as if with hard travel and
fight. I did not know--or even ask myself--why they did not frighten me,
but they did not. Suddenly I seemed to know that they were brave men
and had been doing some brave, hard thing. Here and there among them I
caught sight of a broken and stained sword, or a dirk with only a
hilt left. They were all pale, but their wild faces were joyous and
triumphant. I saw it as they drew near.

The man who seemed their chieftain was a lean giant who was darker but,
under his darkness, paler than the rest. On his forehead was a queer,
star-shaped scar. He rode a black horse, and before him he held close
with his left arm a pretty little girl dressed in strange, rich clothes.
The big man's hand was pressed against her breast as he held her; but
though it was a large hand, it did not quite cover a dark-red stain on
the embroideries of her dress. Her dress was brown, and she had brown
hair and soft brown eyes like a little doe's. The moment I saw her I
loved her.

The black horse stopped before me. The wild troop drew up and waited
behind. The great, lean rider looked at me a moment, and then, lifting
the little girl in his long arms, bent down and set her gently on her
feet on the mossy earth in the mist beside me. I got up to greet her,
and we stood smiling at each other. And in that moment as we stood the
black horse moved forward, the muffled trampling began again, the wild
company swept on its way, and the white mist closed behind it as if it
had never passed.

Of course I know how strange this will seem to people who read it, but
that cannot be helped and does not really matter. It was in that way the
thing happened, and it did not even seem strange to me. Anything might
happen on the moor--anything. And there was the fair little girl with
the eyes like a doe's.

I knew she had come to play with me, and we went together to my house
among the bushes of broom and gorse and played happily. But before we
began I saw her stand and look wonderingly at the dark-red stain on
the embroideries on her childish breast. It was as if she were asking
herself how it came there and could not understand. Then she picked
a fern and a bunch of the thick-growing bluebells and put them in her
girdle in such a way that they hid its ugliness.

I did not really know how long she stayed. I only knew that we were
happy, and that, though her way of playing was in some ways different
from mine, I loved it and her. Presently the mist lifted and the sun
shone, and we were deep in a wonderful game of being hidden in a room in
a castle because something strange was going to happen which we were not
told about. She ran behind a big gorse bush and did not come back. When
I ran to look for her she was nowhere. I could not find her, and I went
back to Jean and Angus, feeling puzzled.

"Where did she go?" I asked them, turning my head from side to side.

They were looking at me strangely, and both of them were pale. Jean was
trembling a little.

"Who was she, Ysobel?" she said.

"The little girl the men brought to play with me," I answered, still
looking about me.

"The big one on the black horse put her down--the big one with the star
here." I touched my forehead where the queer scar had been.

For a minute Angus forgot himself. Years later he told me.

"Dark Malcolm of the Glen," he broke out. "Wee Brown Elspeth."

"But she is white--quite white!" I said.

"Where did she go?"

Jean swept me in her warm, shaking arms and hugged me close to her
breast.

"She's one of the fair ones," she said, kissing and patting me. "She
will come again. She'll come often, I dare say. But she's gone now and
we must go, too. Get up, Angus, man. We're for the castle."

If we three had been different--if we had ever had the habit of talking
and asking questions--we might surely have asked one another questions
as I rode on Sheltie's back, with Angus leading us. But they asked
me nothing, and I said very little except that I once spoke of the
wild-looking horsemen and their pale, joyous faces.

"They were glad," was all I said.

There was also one brief query from Angus.

"Did she talk to you, bairnie?" he said.

I hesitated and stared at him quite a long time. Then I shook my head
and answered, slowly, "N-no."

Because I realized then, for the first time, that we had said no words
at all. But I had known what she wanted me to understand, and she had
known what I might have said to her if I had spoken--and no words were
needed. And it was better.

They took me home to the castle, and I was given my supper and put to
bed. Jean sat by me until I fell asleep; she was obliged to sit rather a
long time, because I was so happy with my memories of Wee Brown Elspeth
and the certainty that she would come again. It was not Jean's words
which had made me sure. I knew.

She came many times. Through all my childish years I knew that she
would come and play with me every few days--though I never saw the wild
troopers again or the big, lean man with the scar. Children who play
together are not very curious about one another, and I simply accepted
her with delight. Somehow I knew that she lived happily in a place not
far away. She could come and go, it seemed, without trouble. Sometimes
I found her--or she found me upon the moor; and often she appeared in
my nursery in the castle. When we were together Jean Braidfute seemed to
prefer that we should be alone, and was inclined to keep the under-nurse
occupied in other parts of the wing I lived in. I never asked her to do
this, but I was glad that it was done. Wee Elspeth was glad, too. After
our first meeting she was dressed in soft blue or white, and the red
stain was gone; but she was always Wee Brown Elspeth with the doelike
eyes and the fair, transparent face, the very fair little face. As I had
noticed the strange, clear pallor of the rough troopers, so I noticed
that she was curiously fair. And as I occasionally saw other persons
with the same sort of fairness, I thought it was a purity of complexion
special to some, but not to all. I was not fair like that, and neither
was any one else I knew.



CHAPTER III

It was when I was ten years old that Wee Elspeth ceased coming to me,
and though I missed her at first, it was not with a sense of grief or
final loss. She had only gone somewhere.

It was then that Angus Macayre began to be my tutor. He had been a
profound student and had lived among books all his life. He had helped
Jean in her training of me, and I had learned more than is usually
taught to children in their early years. When a grand governess was
sent to Muircarrie by my guardian, she was amazed at the things I
was familiar with, but she abhorred the dark, frowning castle and the
loneliness of the place and would not stay. In fact, no governess would
stay, and so Angus became my tutor and taught me old Gaelic and Latin
and Greek, and we read together and studied the ancient books in the
library. It was a strange education for a girl, and no doubt made me
more than ever unlike others. But my life was the life I loved.

When my guardian decided that I must live with him in London and be
educated as modern girls were, I tried to be obedient and went to him;
but before two months had passed my wretchedness had made me so ill that
the doctor said I should go into a decline and die if I were not sent
back to Muircarrie.

"It's not only the London air that seems to poison her," he said when
Jean talked to him about me; "it is something else. She will not live,
that's all. Sir Ian must send her home."

As I have said before, I had been an unattractive child and I was a
plain, uninteresting sort of girl. I was shy and could not talk to
people, so of course I bored them. I knew I did not look well when I
wore beautiful clothes. I was little and unimportant and like a reed for
thinness. Because I was rich and a sort of chieftainess I ought to have
been tall and rather stately, or at least I ought to have had a bearing
which would have made it impossible for people to quite overlook me.
But; any one could overlook me--an insignificant, thin girl who slipped
in and out of places and sat and stared and listened to other people
instead of saying things herself; I liked to look on and be forgotten.
It interested me to watch people if they did not notice me.

Of course, my relatives did not really like me. How could they? They
were busy in their big world and did not know what to do with a girl who
ought to have been important and was not. I am sure that in secret they
were relieved when I was sent back to Muircarrie.

After that the life I loved went on quietly. I studied with Angus, and
made the book-walled library my own room. I walked and rode on the moor,
and I knew the people who lived in the cottages and farms on the estate.
I think they liked me, but I am not sure, because I was too shy to seem
very friendly. I was more at home with Feargus, the piper, and with
some of the gardeners than I was with any one else. I think I was lonely
without knowing; but I was never unhappy. Jean and Angus were my nearest
and dearest. Jean was of good blood and a stanch gentlewoman, quite
sufficiently educated to be my companion as she had been my early
governess.

It was Jean who told Angus that I was giving myself too entirely to the
study of ancient books and the history of centuries gone by.

"She is living to-day, and she must not pass through this life without
gathering anything from it."

"This life," she put it, as if I had passed through others before, and
might pass through others again. That was always her way of speaking,
and she seemed quite unconscious of any unusualness in it.

"You are a wise woman, Jean," Angus said, looking long at her grave
face. "A wise woman."

He wrote to the London book-shops for the best modern books, and I began
to read them. I felt at first as if they plunged me into a world I did
not understand, and many of them I could not endure. But I persevered,
and studied them as I had studied the old ones, and in time I began to
feel as if perhaps they were true. My chief weariness with them came
from the way they had of referring to the things I was so intimate with
as though they were only the unauthenticated history of a life so
long passed by that it could no longer matter to any one. So often the
greatest hours of great lives were treated as possible legends. I
knew why men had died or were killed or had borne black horror. I knew
because I had read old books and manuscripts and had heard the stories
which had come down through centuries by word of mouth, passed from
father to son.

But there was one man who did not write as if he believed the world had
begun and would end with him. He knew he was only one, and part of
all the rest. The name I shall give him is Hector MacNairn. He was a
Scotchman, but he had lived in many a land. The first time I read a book
he had written I caught my breath with joy, again and again. I knew I
had found a friend, even though there was no likelihood that I should
ever see his face. He was a great and famous writer, and all the world
honored him; while I, hidden away in my castle on a rock on the edge of
Muircarrie, was so far from being interesting or clever that even in my
grandest evening dress and tiara of jewels I was as insignificant as a
mouse. In fact, I always felt rather silly when I was obliged to wear my
diamonds on state occasions as custom sometimes demanded.

Mr. MacNairn wrote essays and poems, and marvelous stories which were
always real though they were called fiction. Wheresoever his story was
placed--howsoever remote and unknown the scene--it was a real place, and
the people who lived in it were real, as if he had some magic power to
call up human things to breathe and live and set one's heart beating.
I read everything he wrote. I read every word of his again and again. I
always kept some book of his near enough to be able to touch it with my
hand; and often I sat by the fire in the library holding one open on
my lap for an hour or more, only because it meant a warm, close
companionship. It seemed at those times as if he sat near me in the dim
glow and we understood each other's thoughts without using words, as Wee
Brown Elspeth and I had understood--only this was a deeper thing.

I had felt near him in this way for several years, and every year he had
grown more famous, when it happened that one June my guardian, Sir Ian,
required me to go to London to see my lawyers and sign some important
documents connected with the management of the estate. I was to go
to his house to spend a week or more, attend a Drawing-Room, and show
myself at a few great parties in a proper manner, this being considered
my duty toward my relatives. These, I believe, were secretly afraid that
if I were never seen their world would condemn my guardian for
neglect of his charge, or would decide that I was of unsound mind and
intentionally kept hidden away at Muircarrie. He was an honorable man,
and his wife was a well-meaning woman. I did not wish to do them an
injustice, so I paid them yearly visits and tried to behave as they
wished, much as I disliked to be dressed in fine frocks and to wear
diamonds on my little head and round my thin neck.

It was an odd thing that this time I found I did not dread the visit
to London as much as I usually did. For some unknown reason I became
conscious that I was not really reluctant to go. Usually the thought
of the days before me made me restless and low-spirited. London always
seemed so confused and crowded, and made me feel as if I were being
pushed and jostled by a mob always making a tiresome noise. But this
time I felt as if I should somehow find a clear place to stand in, where
I could look on and listen without being bewildered. It was a curious
feeling; I could not help noticing and wondering about it.

I knew afterward that it came to me because a change was drawing near. I
wish so much that I could tell about it in a better way. But I have only
my own way, which I am afraid seems very like a school-girl's.

Jean Braidfute made the journey with me, as she always did, and it was
like every other journey. Only one incident made it different, and when
it occurred there seemed nothing unusual in it. It was only a bit of
sad, everyday life which touched me. There is nothing new in seeing a
poor woman in deep mourning.

Jean and I had been alone in our railway carriage for a great part of
the journey; but an hour or two before we reached London a man got in
and took a seat in a corner. The train had stopped at a place where
there is a beautiful and well-known cemetery. People bring their friends
from long distances to lay them there. When one passes the station, one
nearly always sees sad faces and people in mourning on the platform.

There was more than one group there that day, and the man who sat in the
corner looked out at them with gentle eyes. He had fine, deep eyes and a
handsome mouth. When the poor woman in mourning almost stumbled into
the carriage, followed by her child, he put out his hand to help her
and gave her his seat. She had stumbled because her eyes were dim with
dreadful crying, and she could scarcely see. It made one's heart stand
still to see the wild grief of her, and her unconsciousness of the world
about her. The world did not matter. There was no world. I think there
was nothing left anywhere but the grave she had just staggered blindly
away from. I felt as if she had been lying sobbing and writhing and
beating the new turf on it with her poor hands, and I somehow knew that
it had been a child's grave she had been to visit and had felt she left
to utter loneliness when she turned away.

It was because I thought this that I wished she had not seemed so
unconscious of and indifferent to the child who was with her and clung
to her black dress as if it could not bear to let her go. This one was
alive at least, even if she had lost the other one, and its little face
was so wistful! It did not seem fair to forget and ignore it, as if
it were not there. I felt as if she might have left it behind on the
platform if it had not so clung to her skirt that it was almost dragged
into the railway carriage with her. When she sank into her seat she did
not even lift the poor little thing into the place beside her, but left
it to scramble up as best it could. She buried her swollen face in her
handkerchief and sobbed in a smothered way as if she neither saw, heard,
nor felt any living thing near her.

How I wished she would remember the poor child and let it comfort her!
It really was trying to do it in its innocent way. It pressed close to
her side, it looked up imploringly, it kissed her arm and her crape
veil over and over again, and tried to attract her attention. It was
a little, lily-fair creature not more than five or six years old and
perhaps too young to express what it wanted to say. It could only cling
to her and kiss her black dress, and seem to beg her to remember that
it, at least, was a living thing. But she was too absorbed in her
anguish to know that it was in the world. She neither looked at nor
touched it, and at last it sat with its cheek against her sleeve, softly
stroking her arm, and now and then kissing it longingly. I was obliged
to turn my face away and look out of the window, because I knew the man
with the kind face saw the tears well up into my eyes.

The poor woman did not travel far with us. She left the train after a
few stations were passed. Our fellow-traveler got out before her to help
her on to the platform. He stood with bared head while he assisted her,
but she scarcely saw him. And even then she seemed to forget the child.
The poor thing was dragged out by her dress as it had been dragged in. I
put out my hand involuntarily as it went through the door, because I was
afraid it might fall. But it did not. It turned its fair little face
and smiled at me. When the kind traveler returned to his place in the
carriage again, and the train left the station, the black-draped woman
was walking slowly down the platform and the child was still clinging to
her skirt.



CHAPTER IV

My guardian was a man whose custom it was to give large and dignified
parties. Among his grand and fashionable guests there was nearly always
a sprinkling of the more important members of the literary world. The
night after I arrived there was to be a particularly notable dinner. I
had come prepared to appear at it. Jean had brought fine array for
me and a case of jewels. I knew I must be "dressed up" and look as
important as I could. When I went up-stairs after tea, Jean was in my
room laying things out on the bed.

"The man you like so much is to dine here to-night, Ysobel," she said.
"Mr. Hector MacNairn."

I believe I even put my hand suddenly to my heart as I stood and looked
at her, I was so startled and so glad.

"You must tell him how much you love his books," she said. She had a
quiet, motherly way.

"There will be so many other people who will want to talk to him," I
answered, and I felt a little breathless with excitement as I said it.

"And I should be too shy to know how to say such things properly."

"Don't be afraid of him," was her advice. "The man will be like his
books, and they're the joy of your life."

She made me look as nice as she could in the new dress she had brought;
she made me wear the Muircarrie diamonds and sent me downstairs. It does
not matter who the guests were; I scarcely remember. I was taken in to
dinner by a stately elderly man who tried to make me talk, and at last
was absorbed by the clever woman on his other side.

I found myself looking between the flowers for a man's face I could
imagine was Hector MacNairn's. I looked up and down and saw none I could
believe belonged to him. There were handsome faces and individual ones,
but at first I saw no Hector MacNairn. Then, on bending forward a little
to glance behind an epergne, I found a face which it surprised and
pleased me to see. It was the face of the traveler who had helped the
woman in mourning out of the railway carriage, baring his head before
her grief. I could not help turning and speaking to my stately elderly
partner.

"Do you know who that is--the man at the other side of the table?" I
asked.

Old Lord Armour looked across and answered with an amiable smile. "It is
the author the world is talking of most in these days, and the talking
is no new thing. It's Mr. Hector MacNairn."

No one but myself could tell how glad I was. It seemed so right that
he should be the man who had understood the deeps of a poor, passing
stranger woman's woe. I had so loved that quiet baring of his head! All
at once I knew I should not be afraid of him. He would understand that I
could not help being shy, that it was only my nature, and that if I said
things awkwardly my meanings were better than my words. Perhaps I
should be able to tell him something of what his books had been to me.
I glanced through the flowers again--and he was looking at me! I could
scarcely believe it for a second. But he was. His eyes--his wonderful
eyes--met mine. I could not explain why they were wonderful. I think
it was the clearness and understanding in them, and a sort of great
interestedness. People sometimes look at me from curiosity, but they do
not look because they are really interested.

I could scarcely look away, though I knew I must not be guilty of
staring. A footman was presenting a dish at my side. I took something
from it without knowing what it was. Lord Armour began to talk kindly.
He was saying beautiful, admiring things of Mr. MacNairn and his work.
I listened gratefully, and said a few words myself now and then. I was
only too glad to be told of the great people and the small ones who were
moved and uplifted by his thoughts.

"You admire him very much, I can see," the amiable elderly voice said.

I could not help turning and looking up. "It is as if a great, great
genius were one's friend--as if he talked and one listened," I said. "He
is like a splendid dream which has come true."

Old Lord Armour looked at me quite thoughtfully, as if he saw something
new in me.

"That is a good way of putting it, Miss Muircarrie," he answered.
"MacNairn would like that. You must tell him about it yourself."

I did not mean to glance through the flowers again, but I did it
involuntarily. And I met the other eyes--the wonderful, interested
ones just as I had met them before. It almost seemed as if he had been
watching me. It might be, I thought, because he only vaguely remembered
seeing me before and was trying to recall where we had met.

When my guardian brought his men guests to the drawing-room after
dinner, I was looking over some old prints at a quiet, small table.
There were a few minutes of smiling talk, and then Sir Ian crossed the
room toward me, bringing some one with him. It was Hector MacNairn he
brought.

"Mr. MacNairn tells me you traveled together this afternoon without
knowing each other," he said. "He has heard something of Muircarrie and
would like to hear more, Ysobel. She lives like a little ghost all
alone in her feudal castle, Mr. MacNairn. We can't persuade her to like
London."

I think he left us alone together because he realized that we should get
on better without a companion.

Mr. MacNairn sat down near me and began to talk about Muircarrie. There
were very few places like it, and he knew about each one of them. He
knew the kind of things Angus Macayre knew--the things most people had
either never heard of or had only thought of as legends. He talked as he
wrote, and I scarcely knew when he led me into talking also. Afterward
I realized that he had asked me questions I could not help answering
because his eyes were drawing me on with that quiet, deep interest. It
seemed as if he saw something in my face which made him curious.

I think I saw this expression first when we began to speak of our
meeting in the railway carriage, and I mentioned the poor little fair
child my heart had ached so for.

"It was such a little thing and it did so want to comfort her! Its white
little clinging hands were so pathetic when they stroked and patted
her," I said. "And she did not even look at it."

He did not start, but he hesitated in a way which almost produced the
effect of a start. Long afterward I remembered it.

"The child!" he said. "Yes. But I was sitting on the other side. And I
was so absorbed in the poor mother that I am afraid I scarcely saw it.
Tell me about it."

"It was not six years old, poor mite," I answered. "It was one of those
very fair children one sees now and then. It was not like its mother.
She was not one of the White People."

"The White People?" he repeated quite slowly after me. "You don't mean
that she was not a Caucasian? Perhaps I don't understand."

That made me feel a trifle shy again. Of course he could not know what I
meant. How silly of me to take it for granted that he would!

"I beg pardon. I forgot," I even stammered a little. "It is only my way
of thinking of those fair people one sees, those very fair ones, you
know--the ones whose fairness looks almost transparent. There are not
many of them, of course; but one can't help noticing them when they pass
in the street or come into a room. You must have noticed them, too.
I always call them, to myself, the White People, because they are
different from the rest of us. The poor mother wasn't one, but the child
was. Perhaps that was why I looked at it, at first. It was such a lovely
little thing; and the whiteness made it look delicate, and I could not
help thinking--" I hesitated, because it seemed almost unkind to finish.

"You thought that if she had just lost one child she ought to take more
care of the other," he ended for me. There was a deep thoughtfulness in
his look, as if he were watching me. I wondered why.

"I wish I had paid more attention to the little creature," he said, very
gently. "Did it cry?"

"No," I answered. "It only clung to her and patted her black sleeve and
kissed it, as if it wanted to comfort her. I kept expecting it to cry,
but it didn't. It made me cry because it seemed so sure that it could
comfort her if she would only remember that it was alive and loved her.
I wish, I wish death did not make people feel as if it filled all the
world--as if, when it happens, there is no life left anywhere. The child
who was alive by her side did not seem a living thing to her. It didn't
matter."

I had never said as much to any one before, but his watching eyes made
me forget my shy worldlessness.

"What do you feel about it--death?" he asked.

The low gentleness of his voice seemed something I had known always.

"I never saw it," I answered. "I have never even seen any one
dangerously ill. I--It is as if I can't believe it."

"You can't believe it? That is a wonderful thing," he said, even more
quietly than before.

"If none of us believed, how wonderful that would be! Beautiful, too."

"How that poor mother believed it!" I said, remembering her swollen,
distorted, sobbing face. "She believed nothing else; everything else was
gone."

"I wonder what would have happened if you had spoken to her about the
child?" he said, slowly, as if he were trying to imagine it.

"I'm a very shy person. I should never have courage to speak to a
stranger," I answered.

"I'm afraid I'm a coward, too. She might have thought me interfering."

"She might not have understood," he murmured.

"It was clinging to her dress when she walked away down the platform," I
went on. "I dare say you noticed it then?"

"Not as you did. I wish I had noticed it more," was his answer. "Poor
little White One!"

That led us into our talk about the White People. He said he did not
think he was exactly an observant person in some respects. Remembering
his books, which seemed to me the work of a man who saw and understood
everything in the world, I could not comprehend his thinking that, and
I told him so. But he replied that what I had said about my White People
made him feel that he must be abstracted sometimes and miss things. He
did not remember having noticed the rare fairness I had seen. He smiled
as he said it, because, of course, it was only a little thing--that he
had not seen that some people were so much fairer than others.

"But it has not been a little thing to you, evidently. That is why I
am even rather curious about it," he explained. "It is a difference
definite enough to make you speak almost as if they were of a different
race from ours."

I sat silent a few seconds, thinking it over. Suddenly I realized what I
had never realized before.

"Do you know," I said, as slowly as he himself had spoken, "I did not
know that was true until you put it into words. I am so used to thinking
of them as different, somehow, that I suppose I do feel as if they were
almost like another race, in a way. Perhaps one would feel like that
with a native Indian, or a Japanese."

"I dare say that is a good simile," he reflected. "Are they different
when you know them well?"

"I have never known one but Wee Brown Elspeth," I answered, thinking it
over.

He did start then, in the strangest way.

"What!" he exclaimed. "What did you say?"

I was quite startled myself. Suddenly he looked pale, and his breath
caught itself.

"I said Wee Elspeth, Wee Brown Elspeth. She was only a child who played
with me," I stammered, "when I was little."

He pulled himself together almost instantly, though the color did not
come back to his face at once and his voice was not steady for a few
seconds. But he laughed outright at himself.

"I beg your pardon," he apologized. "I have been ill and am rather
nervous. I thought you said something you could not possibly have
said. I almost frightened you. And you were only speaking of a little
playmate. Please go on."

"I was only going to say that she was fair like that, fairer than any
one I had ever seen; but when we played together she seemed like any
other child. She was the first I ever knew."

I told him about the misty day on the moor, and about the pale troopers
and the big, lean leader who carried Elspeth before him on his saddle. I
had never talked to any one about it before, not even to Jean Braidfute.
But he seemed to be so interested, as if the little story quite
fascinated him. It was only an episode, but it brought in the weirdness
of the moor and my childish fancies about the things hiding in the white
mist, and the castle frowning on its rock, and my baby face pressed
against the nursery window in the tower, and Angus and the library, and
Jean and her goodness and wise ways. It was dreadful to talk so much
about oneself. But he listened so. His eyes never left my face--they
watched and held me as if he were enthralled. Sometimes he asked a
question.

"I wonder who they were--the horsemen?" he pondered. "Did you ever ask
Wee Elspeth?"

"We were both too little to care. We only played," I answered him. "And
they came and went so quickly that they were only a sort of dream."

"They seem to have been a strange lot. Wasn't Angus curious about them?"
he suggested.

"Angus never was curious about anything," I said. "Perhaps he knew
something about them and would not tell me. When I was a little thing
I always knew he and Jean had secrets I was too young to hear. They hid
sad and ugly things from me, or things that might frighten a child. They
were very good."

"Yes, they were good," he said, thoughtfully.

I think any one would have been pleased to find herself talking quietly
to a great genius--as quietly as if he were quite an ordinary person;
but to me the experience was wonderful. I had thought about him so much
and with such adoring reverence. And he looked at me as if he truly
liked me, even as if I were something new--a sort of discovery which
interested him. I dare say that he had never before seen a girl who had
lived so much alone and in such a remote and wild place.

I believe Sir Ian and his wife were pleased, too, to see that I
was talking. They were glad that their guests should see that I was
intelligent enough to hold the attention even of a clever man. If Hector
MacNairn was interested in me I could not be as silly and dull as I
looked. But on my part I was only full of wonder and happiness. I was a
girl, and he had been my only hero; and it seemed even as if he liked me
and cared about my queer life.

He was not a man who had the air of making confidences or talking about
himself, but before we parted I seemed to know him and his surroundings
as if he had described them. A mere phrase of his would make a picture.
Such a few words made his mother quite clear to me. They loved each
other in an exquisite, intimate way. She was a beautiful person. Artists
had always painted her. He and she were completely happy when they were
together. They lived in a house in the country, and I could not at all
tell how I discovered that it was an old house with beautiful chimneys
and a very big garden with curious high walls with corner towers round
it. He only spoke of it briefly, but I saw it as a picture; and always
afterward, when I thought of his mother, I thought of her as sitting
under a great and ancient apple-tree with the long, late-afternoon
shadows stretching on the thick, green grass. I suppose I saw that just
because he said:

"Will you come to tea under the big apple-tree some afternoon when the
late shadows are like velvet on the grass? That is perhaps the loveliest
time."

When we rose to go and join the rest of the party, he stood a moment and
glanced round the room at our fellow-guests.

"Are there any of your White People here to-night?" he said, smiling. "I
shall begin to look for them everywhere."

I glanced over the faces carelessly. "There are none here to-night,"
I answered, and then I flushed because he had smiled. "It was only
a childish name I gave them," I hesitated. "I forgot you wouldn't
understand. I dare say it sounds silly."

He looked at me so quickly.

"No! no! no!" he exclaimed. "You mustn't think that! Certainly not
silly."

I do not think he knew that he put out his hand and gently touched my
arm, as one might touch a child to make it feel one wanted it to listen.

"You don't know," he said in his low, slow voice, "how glad I am that
you have talked to me. Sir Ian said you were not fond of talking to
people, and I wanted to know you."

"You care about places like Muircarrie. That is why," I answered,
feeling at once how much he understood. "I care for Muircarrie more than
for all the rest of the world. And I suppose you saw it in my face. I
dare say that the people who love that kind of life cannot help seeing
it there."

"Yes," he said, "it is in your eyes. It was what I saw and found myself
wondering about when I watched you in the train. It was really the moor
and the mist and the things you think are hidden in it."

"Did you watch me?" I asked. "I could not help watching you a little,
when you were so kind to the poor woman. I was afraid you would see me
and think me rude."

"It was the far look in your face I watched," he said. "If you will come
to tea under the big apple-tree I will tell you more about it."

"Indeed I will come," I answered. "Now we must go and sit among the
other people--those who don't care about Muircarrie at all."



CHAPTER V

I went to tea under the big apple-tree. It was very big and old and
wonderful. No wonder Mr. MacNairn and his mother loved it. Its great
branches spread out farther than I had ever seen the branches of an
apple-tree spread before. They were gnarled and knotted and beautiful
with age. Their shadows upon the grass were velvet, deep and soft. Such
a tree could only have lived its life in such a garden. At least it
seemed so to me. The high, dim-colored walls, with their curious, low
corner towers and the leafage of the wall fruits spread against their
brick, inclosed it embracingly, as if they were there to take care of
it and its beauty. But the tree itself seemed to have grown there in all
its dignified loveliness of shadow to take care of Mrs. MacNairn, who
sat under it. I felt as if it loved and was proud of her.

I have heard clever literary people speak of Mrs. MacNairn as a
"survival of type." Sometimes clever people bewilder me by the terms
they use, but I thought I understood what they meant in her case. She
was quite unlike the modern elderly woman, and yet she was not in the
least old-fashioned or demodee. She was only exquisitely distinct.

When she rose from her chair under the apple-tree boughs and came
forward to meet me that afternoon, the first things which struck me were
her height and slenderness and her light step. Then I saw that her clear
profile seemed cut out of ivory and that her head was a beautiful shape
and was beautifully set. Its every turn and movement was exquisite. The
mere fact that both her long, ivory hands enfolded mine thrilled me.
I wondered if it were possible that she could be unaware of her
loveliness. Beautiful people are thrilling to me, and Mrs. MacNairn has
always seemed more so than any one else. This is what her son once said
of her:

"She is not merely beautiful; she is Beauty--Beauty's very spirit moving
about among us mortals; pure Beauty."

She drew me to a chair under her tree, and we sat down together. I felt
as if she were glad that I had come. The watching look I had seen in her
son's eyes was in hers also. They watched me as we talked, and I found
myself telling her about my home as I had found myself telling him. He
had evidently talked to her about it himself. I had never met any one
who thought of Muircarrie as I did, but it seemed as if they who were
strangers were drawn by its wild, beautiful loneliness as I was.

I was happy. In my secret heart I began to ask myself if it could be
true that they made me feel a little as if I somehow belonged to some
one. I had always seemed so detached from every one. I had not been
miserable about it, and I had not complained to myself; I only accepted
the detachment as part of my kind of life.

Mr. MacNairn came into the garden later and several other people came
in to tea. It was apparently a sort of daily custom--that people who
evidently adored Mrs. MacNairn dropped in to see and talk to her every
afternoon. She talked wonderfully, and her friends' joy in her was
wonderful, too. It evidently made people happy to be near her. All she
said and did was like her light step and the movements of her delicate,
fine head--gracious and soft and arrestingly lovely. She did not let
me drift away and sit in a corner looking on, as I usually did among
strangers. She kept me near her, and in some subtle, gentle way made me
a part of all that was happening--the talk, the charming circle under
the spreading boughs of the apple-tree, the charm of everything.
Sometimes she would put out her exquisite, long-fingered hand and touch
me very lightly, and each time she did it I felt as if she had given me
new life.

There was an interesting elderly man who came among the rest of the
guests. I was interested in him even before she spoke to me of him. He
had a handsome, aquiline face which looked very clever. His talk was
brilliantly witty. When he spoke people paused as if they could not
bear to lose a phrase or even a word. But in the midst of the trills
of laughter surrounding him his eyes were unchangingly sad. His face
laughed or smiled, but his eyes never.

"He is the greatest artist in England and the most brilliant man," Mrs.
MacNairn said to me, quietly. "But he is the saddest, too. He had a
lovely daughter who was killed instantly, in his presence, by a fall.
They had been inseparable companions and she was the delight of his
life. That strange, fixed look has been in his eyes ever since. I know
you have noticed it."

We were walking about among the flower-beds after tea, and Mr. MacNairn
was showing me a cloud of blue larkspurs in a corner when I saw
something which made me turn toward him rather quickly.

"There is one!" I said. "Do look at her! Now you see what I mean! The
girl standing with her hand on Mr. Le Breton's arm."

Mr. Le Breton was the brilliant man with the sad eyes. He was standing
looking at a mass of white-and-purple iris at the other side of the
garden. There were two or three people with him, but it seemed as if for
a moment he had forgotten them--had forgotten where he was. I wondered
suddenly if his daughter had been fond of irises. He was looking at them
with such a tender, lost expression. The girl, who was a lovely, fair
thing, was standing quite close to him with her hand in his arm, and she
was smiling, too--such a smile!

"Mr. Le Breton!" Mr. MacNairn said in a rather startled tone. "The girl
with her hand in his arm?"

"Yes. You see how fair she is," I answered.

"And she has that transparent look. It is so lovely. Don't you think so?
SHE is one of the White People."

He stood very still, looking across the flowers at the group. There was
a singular interest and intensity in his expression. He watched the pair
silently for a whole minute, I think.

"Ye-es," he said, slowly, at last, "I do see what you mean--and it IS
lovely. I don't seem to know her well. She must be a new friend of my
mother's. So she is one of the White People?"

"She looks like a white iris herself, doesn't she?" I said. "Now you
know."

"Yes; now I know," he answered.

I asked Mrs. MacNairn later who the girl was, but she didn't seem to
recognize my description of her. Mr. Le Breton had gone away by that
time, and so had the girl herself.

"The tall, very fair one in the misty, pale-gray dress," I said. "She
was near Mr. Le Breton when he was looking at the iris-bed. You were
cutting some roses only a few yards away from her. That VERY fair girl?"

Mrs. MacNairn paused a moment and looked puzzled.

"Mildred Keith is fair," she reflected, "but she was not there then. I
don't recall seeing a girl. I was cutting some buds for Mrs. Anstruther.
I--" She paused again and turned toward her son, who was standing
watching us. I saw their eyes meet in a rather arrested way.

"It was not Mildred Keith," he said. "Miss Muircarrie is inquiring
because this girl was one of those she calls the White People. She was
not any one I had seen here before."

There was a second's silence before Mrs. MacNairn smilingly gave me one
of her light, thrilling touches on my arm.

"Ah! I remember," she said. "Hector told me about the White People. He
rather fancied I might be one."

I am afraid I rather stared at her as I slowly shook my head. You see
she was almost one, but not quite.

"I was so busy with my roses that I did not notice who was standing near
Mr. Le Breton," she said. "Perhaps it was Anabel Mere. She is a more
transparent sort of girl than Mildred, and she is more blond. And you
don't know her, Hector? I dare say it was she."



CHAPTER VI

I remained in London several weeks. I stayed because the MacNairns were
so good to me. I could not have told any one how I loved Mrs. MacNairn,
and how different everything seemed when I was with her. I was never shy
when we were together. There seemed to be no such thing as shyness in
the world. I was not shy with Mr. MacNairn, either. After I had sat
under the big apple-tree boughs in the walled garden a few times I
realized that I had begun to belong to somebody. Those two marvelous
people cared for me in that way--in a way that made me feel as if I
were a real girl, not merely a queer little awkward ghost in a far-away
castle which nobody wanted to visit because it was so dull and desolate
and far from London. They were so clever, and knew all the interesting
things in the world, but their cleverness and experience never
bewildered or overwhelmed me.

"You were born a wonderful little creature, and Angus Macayre has filled
your mind with strange, rich furnishings and marvelous color and form,"
Mrs. MacNairn actually said to me one day when we were sitting together
and she was holding my hand and softly, slowly patting it. She had a
way of doing that, and she had also a way of keeping me very near her
whenever she could. She said once that she liked to touch me now and
then to make sure that I was quite real and would not melt away. I did
not know then why she said it, but I understood afterward.

Sometimes we sat under the apple-tree until the long twilight deepened
into shadow, which closed round us, and a nightingale that lived in the
garden began to sing. We all three loved the nightingale, and felt as
though it knew that we were listening to it. It is a wonderful thing to
sit quite still listening to a bird singing in the dark, and to dare to
feel that while it sings it knows how your soul adores it. It is like a
kind of worship.

We had been sitting listening for quite a long time, and the nightingale
had just ceased and left the darkness an exquisite silence which fell
suddenly but softly as the last note dropped, when Mrs. MacNairn began
to talk for the first time of what she called The Fear.

I don't remember just how she began, and for a few minutes I did not
quite understand what she meant. But as she went on, and Mr. MacNairn
joined in the talk, their meaning became a clear thing to me, and I knew
that they were only talking quite simply of something they had often
talked of before. They were not as afraid of The Fear as most people
are, because they had thought of and reasoned about it so much, and
always calmly and with clear and open minds.

By The Fear they meant that mysterious horror most people feel at the
thought of passing out of the world they know into the one they don't
know at all.

How quiet, how still it was inside the walls of the old garden, as we
three sat under the boughs and talked about it! And what sweet night
scents of leaves and sleeping flowers were in every breath we drew! And
how one's heart moved and lifted when the nightingale broke out again!

"If one had seen or heard one little thing, if one's mortal being could
catch one glimpse of light in the dark," Mrs. MacNairn's low voice said
out of the shadow near me, "The Fear would be gone forever."

"Perhaps the whole mystery is as simple as this," said her son's voice
"as simple as this: that as there are tones of music too fine to be
registered by the human ear, so there may be vibrations of light not to
be seen by the human eye; form and color as well as sounds; just
beyond earthly perception, and yet as real as ourselves, as formed as
ourselves, only existing in that other dimension."

There was an intenseness which was almost a note of anguish in Mrs.
MacNairn's answer, even though her voice was very low. I involuntarily
turned my head to look at her, though of course it was too dark to see
her face. I felt somehow as if her hands were wrung together in her lap.

"Oh!" she said, "if one only had some shadow of a proof that the mystery
is only that WE cannot see, that WE cannot hear, though they are really
quite near us, with us--the ones who seem to have gone away and whom we
feel we cannot live without. If once we could be sure! There would be no
Fear--there would be none!"

"Dearest"--he often called her "Dearest," and his voice had a wonderful
sound in the darkness; it was caress and strength, and it seemed to
speak to her of things they knew which I did not--"we have vowed to each
other that we WILL believe there is no reason for The Fear. It was a vow
between us."

"Yes! Yes!" she cried, breathlessly, "but sometimes,
Hector--sometimes--"

"Miss Muircarrie does not feel it--"

"Please say 'Ysobel'!" I broke in. "Please do."

He went on as quietly as if he had not even paused:

"Ysobel told me the first night we met that it seemed as if she could
not believe in it."

"It never seems real to me at all," I said. "Perhaps that is because I
can never forget what Jean told me about my mother lying still upon her
bed, and listening to some one calling her." (I had told them Jean's
story a few days before.) "I knew it was my father; Jean knew, too."

"How did you know?" Mrs. MacNairn's voice was almost a whisper.

"I could not tell you that. I never asked myself HOW it was. But I KNEW.
We both KNEW. Perhaps"--I hesitated--"it was because in the Highlands
people often believe things like that. One hears so many stories all
one's life that in the end they don't seem strange. I have always heard
them. Those things you know about people who have the second sight. And
about the seals who change themselves into men and come on shore and
fall in love with girls and marry them. They say they go away now and
then, and no one really knows where but it is believed that they go
back to their own people and change into seals again, because they
must plunge and riot about in the sea. Sometimes they come home, but
sometimes they do not.

"A beautiful young stranger, with soft, dark eyes, appeared once not
far from Muircarrie, and he married a boatman's daughter. He was very
restless one night, and got up and left her, and she never saw him
again; but a few days later a splendid dead seal covered with wounds was
washed up near his cottage. The fishers say that his people had wanted
to keep him from his land wife, and they had fought with him and killed
him. His wife had a son with strange, velvet eyes like his father's,
and she couldn't keep him away from the water. When he was old enough
to swim he swam out one day, because he thought he saw some seals and
wanted to get near them. He swam out too far, perhaps. He never came
back, and the fishermen said his father's people had taken him. When one
has heard stories like that all one's life nothing seems very strange."

"Nothing really IS strange," said Hector MacNairn. "Again and again
through all the ages we have been told the secrets of the gods and the
wonders of the Law, and we have revered and echoed but never believed.
When we believe and know all is simple we shall not be afraid. You are
not afraid, Ysobel. Tell my mother you are not."

I turned my face toward her again in the darkness. I felt as if
something was going on between them which he somehow knew I could help
them in. It was as though he were calling on something in my nature
which I did not myself comprehend, but which his profound mind saw and
knew was stronger than I was.

Suddenly I felt as if I might trust to him and to It, and that, without
being troubled or anxious, I would just say the first thing which came
into my mind, because it would be put there for me by some power which
could dictate to me. I never felt younger or less clever than I did at
that moment; I was only Ysobel Muircarrie, who knew almost nothing. But
that did not seem to matter. It was such a simple, almost childish thing
I told her. It was only about The Dream.



CHAPTER VII

"The feeling you call The Fear has never come to me," I said to her.
"And if it had I think it would have melted away because of a dream I
once had. I don't really believe it was a dream, but I call it one. I
think I really went somewhere and came back. I often wonder why I
came back. It was only a short dream, so simple that there is scarcely
anything to tell, and perhaps it will not convey anything to you. But it
has been part of my life--that time when I was Out on the Hillside. That
is what I call The Dream to myself, 'Out on the Hillside,' as if it were
a kind of unearthly poem. But it wasn't. It was more real than anything
I have ever felt. It was real--real! I wish that I could tell it so that
you would know how real it was."

I felt almost piteous in my longing to make her know. I knew she was
afraid of something, and if I could make her know how REAL that one
brief dream had been she would not be afraid any more. And I loved her,
I loved her so much!

"I was asleep one night at Muircarrie," I went on, "and suddenly,
without any preparatory dreaming, I was standing out on a hillside
in moonlight softer and more exquisite than I had ever seen or known
before. Perhaps I was still in my nightgown--I don't know. My feet were
bare on the grass, and I wore something light and white which did not
seem to touch me. If it touched me I did not feel it. My bare feet did
not feel the grass; they only knew it was beneath them.

"It was a low hill I stood on, and I was only on the side of it. And in
spite of the thrilling beauty of the moon, all but the part I stood on
melted into soft, beautiful shadow, all below me and above me. But I did
not turn to look at or ask myself about anything. You see the difficulty
is that there are no earthly words to tell it! All my being was
ecstasy--pure, light ecstasy! Oh, what poor words-- But I know no
others. If I said that I was happy--HAPPY!--it would be nothing. I WAS
happiness itself, I WAS pure rapture! I did not look at the beauty of
the night, the sky, the marvelous melting shadow. I was PART of it
all, one with it. Nothing held me nothing! The beauty of the night, the
light, the air WERE what I was, and I was only thrilling ecstasy and
wonder at the rapture of it."

I stopped and covered my face with my hands, and tears wet my fingers.

"Oh, I cannot make it real! I was only there such a short, short time.
Even if you had been with me I could not have found words for it, even
then. It was such a short time. I only stood and lifted my face and felt
the joy of it, the pure marvel of joy. I only heard myself murmuring
over and over again: 'Oh, how beautiful! how beautiful! Oh, how
BEAUTIFUL!'

"And then a marvel of new joy swept through me. I said, very softly and
very slowly, as if my voice were trailing away into silence:
'Oh--h! I--can--lie--down--here--on--the grass--and--sleep . . .
all--through--the night--under--this--moonlight. . . . I can
sleep--sleep--'

"I began to sink softly down, with the heavenliest feeling of relaxation
and repose, as if there existed only the soul of beautiful rest. I sank
so softly--and just as my cheek almost touched the grass the dream was
over!"

"Oh!" cried Mrs. MacNairn. "Did you awaken?"

"No. I came back. In my sleep I suddenly found myself creeping into my
bed again as if I had been away somewhere. I was wondering why I was
there, how I had left the hillside, when I had left it. That part
WAS a dream--but the other was not. I was allowed to go
somewhere--outside--and come back."

I caught at her hand in the dark.

"The words are all wrong," I said. "It is because we have no words to
describe that. But have I made you feel it at all? Oh! Mrs. MacNairn,
have I been able to make you know that it was not a dream?"

She lifted my hand and pressed it passionately against her cheek, and
her cheek, too, was wet--wet.

"No, it was not a dream," she said. "You came back. Thank God you came
back, just to tell us that those who do not come back stand awakened in
that ecstasy--in that ecstasy. And The Fear is nothing. It is only
The Dream. The awakening is out on the hillside, out on the hillside!
Listen!" She started as she said it. "Listen! The nightingale is
beginning again."

He sent forth in the dark a fountain--a rising, aspiring fountain--of
golden notes which seemed to reach heaven itself. The night was made
radiant by them. He flung them upward like a shower of stars into
the sky. We sat and listened, almost holding our breath. Oh! the
nightingale! the nightingale!

"He knows," Hector MacNairn's low voice said, "that it was not a dream."

When there was silence again I heard him leave his chair very quietly.

"Good night! good night!" he said, and went away. I felt somehow that
he had left us together for a purpose, but, oh, I did not even remotely
dream what the purpose was! But soon she told me, almost in a whisper.

"We love you very much, Ysobel," she said. "You know that?"

"I love you both, with all my heart," I answered. "Indeed I love you."

"We two have been more to each other than mere mother and son. We have
been sufficient for each other. But he began to love you that first day
when he watched you in the railway carriage. He says it was the far look
in your eyes which drew him."

"I began to love him, too," I said. And I was not at all ashamed or shy
in saying it.

"We three might have spent our lives together," she went on. "It would
have been a perfect thing. But--but--" She stood up as if she could not
remain seated. Involuntarily I stood up with her. She was trembling, and
she caught and held me in her arms. "He cannot stay, Ysobel," she ended.

I could scarcely hear my own voice when I echoed the words.

"He cannot--stay?"

"Oh! the time will come," she said, "when people who love each other
will not be separated, when on this very earth there will be no pain, no
grief, no age, no death--when all the world has learned the Law at
last. But we have not learned it yet. And here we stand! The greatest
specialists have told us. There is some fatal flaw in his heart. At any
moment, when he is talking to us, when he is at his work, when he is
asleep, he may--cease. It will just be ceasing. At any moment. He cannot
stay."

My own heart stood still for a second. Then there rose before me slowly,
but clearly, a vision--the vision which was not a dream.

"Out on the hillside," I murmured. "Out on the hillside."

I clung to her with both arms and held her tight. I understood now why
they had talked about The Fear. These two who were almost one soul
were trying to believe that they were not really to be torn apart--not
really. They were trying to heap up for themselves proof that they might
still be near each other. And, above all, his effort was to save her
from the worst, worst woe. And I understood, too, why something wiser
and stronger than myself had led me to tell the dream which was not a
dream at all.

But it was as she said; the world had not learned the Secret yet. And
there we stood. We did not cry or talk, but we clung to each other--we
CLUNG. That is all human creatures can do until the Secret is known. And
as we clung the nightingale broke out again.

"O nightingale! O nightingale!" she said in her low wonder of a voice.
"WHAT are you trying to tell us!"



CHAPTER VIII

What I feel sure I know by this time is that all the things we think
happen by chance and accident are only part of the weaving of the scheme
of life. When you begin to suspect this and to watch closely you also
begin to see how trifles connect themselves with one another, and seem
in the end to have led to a reason and a meaning, though we may not
be clever enough to see it clearly. Nothing is an accident. We make
everything happen ourselves: the wrong things because we do not know
or care whether we are wrong or right, the right ones because we
unconsciously or consciously choose the right even in the midst of our
ignorance.

I dare say it sounds audacious for an ordinary girl to say such things
in an ordinary way; but perhaps I have said them in spite of myself,
because it is not a bad thing that they should be said by an every-day
sort of person in simple words which other every-day people can
understand. I am only expressing what has gradually grown into belief in
my mind through reading with Angus ancient books and modern ones--books
about faiths and religions, books about philosophies and magics, books
about what the world calls marvels, but which are not marvels at all,
but only workings of the Law most people have not yet reasoned about or
even accepted.

Angus had read and studied them all his life before he began to read
them with me, and we talked them over together sitting by the fire in
the library, fascinated and staring at each other, I in one high-backed
chair and he in another on the opposite side of the hearth. Angus is
wonderful--wonderful! He KNOWS there is no such thing as chance.
He KNOWS that we ourselves are the working of the Law--and that we
ourselves could work what now are stupidly called "miracles" if we could
only remember always what the Law is.

What I intended to say at first was merely that it was not by chance
that I climbed to the shelf in the library that afternoon and pushed
aside the books hiding the old manuscript which told the real story of
Dark Malcolm of the Glen and Wee Brown Elspeth. It seemed like chance
when it happened, but it was really the first step toward my finding out
the strange, beautiful thing I knew soon afterward.

From the beginning of my friendship with the MacNairns I had hoped they
would come and stay with me at Muircarrie. When they both seemed to
feel such interest in all I told them of it, and not to mind its wild
remoteness, I took courage and asked them if they would come to me. Most
people are bored by the prospect of life in a feudal castle, howsoever
picturesquely it is set in a place where there are no neighbors to count
on. Its ancient stateliness is too dull. But the MacNairns were more
allured by what Muircarrie offered than they were by other and more
brilliant invitations. So when I went back to the castle I was only to
be alone a week before they followed me.

Jean and Angus were quite happy in their quiet way when I told them
who I was expecting. They knew how glad I was myself. Jean was full of
silent pleasure as she arranged the rooms I had chosen for my guests,
rooms which had the most sweeping view of the moor. Angus knew that Mr.
MacNairn would love the library, and he hovered about consulting his
catalogues and looking over his shelves, taking down volumes here and
there, holding them tenderly in his long, bony old hand as he dipped
into them. He made notes of the manuscripts and books he thought Mr.
MacNairn would feel the deepest interest in. He loved his library with
all his being, and I knew he looked forward to talking to a man who
would care for it in the same way.

He had been going over one of the highest shelves one day and had left
his step-ladder leaning against it when he went elsewhere. It was when
I mounted the steps, as I often did when he left them, that I came
upon the manuscript which related the old story of Dark Malcolm and his
child. It had been pushed behind some volumes, and I took it out because
it looked so old and yellow. And I opened at once at the page where the
tale began.

At first I stood reading, and then I sat down on the broad top of the
ladder and forgot everything. It was a savage history of ferocious hate
and barbarous reprisals. It had been a feud waged between two clans for
three generations. The story of Dark Malcolm and Ian Red Hand was only
part of it, but it was a gruesome thing. Pages told of the bloody deeds
they wrought on each other's houses. The one human passion of Dark
Malcolm's life was his love for his little daughter. She had brown
eyes and brown hair, and those who most loved her called her Wee Brown
Elspeth. Ian Red Hand was richer and more powerful than Malcolm of the
Glen, and therefore could more easily work his cruel will. He knew well
of Malcolm's worship of his child, and laid his plans to torture him
through her. Dark Malcolm, coming back to his rude, small castle one
night after a raid in which he had lost followers and weapons and
strength, found that Wee Brown Elspeth had been carried away, and
unspeakable taunts and threats left behind by Ian and his men. With
unbound wounds, broken dirks and hacked swords, Dark Malcolm and the
remnant of his troop of fighting clansmen rushed forth into the night.

"Neither men nor weapons have we to win her back," screamed Dark
Malcolm, raving mad, "but we may die fighting to get near enough to her
to drive dirk into her little breast and save her from worse."

They were a band of madmen in their black despair. How they tore through
the black night; what unguarded weak spot they found in Ian's castle
walls; how they fought their way through it, leaving their dead bodies
in the path, none really ever knew. By what strange chance Dark Malcolm
came upon Wee Brown Elspeth, craftily set to playing hide-and-seek with
a child of Ian's so that she might not cry out and betray her presence;
how, already wounded to his death, he caught at and drove his dirk into
her child heart, the story only offers guesses at. But kill and save her
he did, falling dead with her body held against his breast, her brown
hair streaming over it. Not one living man went back to the small, rude
castle on the Glen--not one.

I sat and read and read until the room grew dark. When I stopped I
found that Angus Macayre was standing in the dimness at the foot of the
ladder. He looked up at me and I down at him. For a few moments we were
both quite still.

"It is the tale of Ian Red Hand and Dark Malcolm you are reading?" he
said, at last.

"And Wee Brown Elspeth, who was fought for and killed," I added, slowly.

Angus nodded his head with a sad face. "It was the only way for a
father," he said. "A hound of hell was Ian. Such men were savage beasts
in those days, not human."

I touched the manuscript with my hand questioningly. "Did this fall at
the back there by accident," I asked, "or did you hide it?"

"I did," he answered. "It was no tale for a young thing to read. I have
hidden many from you. You were always poking about in corners, Ysobel."

Then I sat and thought over past memories for a while and the shadows in
the room deepened.

"Why," I said, laggingly, after the silence--"why did I call the child
who used to play with me 'Wee Brown Elspeth'?"

"It was your own fancy," was his reply. "I used to wonder myself; but
I made up my mind that you had heard some of the maids talking and the
name had caught your ear. That would be a child's way."

I put my forehead in my hands and thought again. So many years had
passed! I had been little more than a baby; the whole thing seemed like
a half-forgotten dream when I tried to recall it--but I seemed to dimly
remember strange things.

"Who were the wild men who brought her to me first--that day on the
moor?" I said. "I do remember they had pale, savage, exultant faces. And
torn, stained clothes. And broken dirks and swords. But they were glad
of something. Who were they?"

"I did not see them. The mist was too thick," he answered. "They were
some wild hunters, perhaps."

"It gives me such a strange feeling to try to remember, Angus," I said,
lifting my forehead from my hands.

"Don't try," he said. "Give me the manuscript and get down from the
step-ladder. Come and look at the list of books I have made for Mr.
MacNairn."

I did as he told me, but I felt as if I were walking in a dream. My mind
seemed to have left my body and gone back to the day when I sat a little
child on the moor and heard the dull sound of horses' feet and the
jingling metal and the creak of leather coming nearer in the thick mist.

I felt as if Angus were in a queer, half-awake mood, too--as if two sets
of thoughts were working at the same time in his mind: one his thoughts
about Hector MacNairn and the books, the other some queer thoughts which
went on in spite of him.

When I was going to leave the library and go up-stairs to dress for
dinner he said a strange thing to me, and he said it slowly and in a
heavy voice.

"There is a thing Jean and I have often talked of telling you," he said.
"We have not known what it was best to do. Times we have been troubled
because we could not make up our minds. This Mr. Hector MacNairn is
no common man. He is one who is great and wise enough to decide things
plain people could not be sure of. Jean and I are glad indeed that he
and his mother are coming. Jean can talk to her and I can talk to him,
being a man body. They will tell us whether we have been right or wrong
and what we must do."

"They are wise enough to tell you anything," I answered. "It sounds
as if you and Jean had known some big secret all my life. But I am not
frightened. You two would go to your graves hiding it if it would hurt
me."

"Eh, bairn!" he said, suddenly, in a queer, moved way. "Eh, bairn!" And
he took hold of both my hands and kissed them, pressing them quite
long and emotionally to his lips. But he said nothing else, and when he
dropped them I went out of the room.



CHAPTER IX

It was wonderful when Mr. MacNairn and his mother came. It was even
more beautiful than I had thought it would be. They arrived late in
the afternoon, and when I took them out upon the terrace the sun was
reddening the moor, and even the rough, gray towers of the castle
were stained rose-color. There was that lovely evening sound of birds
twittering before they went to sleep in the ivy. The glimpses of gardens
below seemed like glimpses of rich tapestries set with jewels. And there
was such stillness! When we drew our three chairs in a little group
together and looked out on it all, I felt as if we were almost in
heaven.

"Yes! yes!" Hector said, looking slowly--round; "it is all here."

"Yes," his mother added, in her lovely, lovely voice. "It is what made
you Ysobel."

It was so angelic of them to feel it all in that deep, quiet way, and to
think that it was part of me and I a part of it. The climbing moon was
trembling with beauty. Tender evening airs quivered in the heather and
fern, and the late birds called like spirits.

Ever since the night when Mrs. MacNairn had held me in her arms under
the apple-tree while the nightingale sang I had felt toward her son as
if he were an archangel walking on the earth. Perhaps my thoughts were
exaggerated, but it seemed so marvelous that he should be moving among
us, doing his work, seeing and talking to his friends, and yet that he
should know that at any moment the great change might come and he might
awaken somewhere else, in quite another place. If he had been like other
men and I had been like other girls, I suppose that after that night
when I heard the truth I should have been plunged into the darkest woe
and have almost sobbed myself to death. Why did I not? I do not know
except--except that I felt that no darkness could come between us
because no darkness could touch him. He could never be anything but
alive alive. If I could not see him it would only be because my eyes
were not clear and strong enough. I seemed to be waiting for something.
I wanted to keep near him.

I was full of this feeling as we sat together on the terrace and watched
the moon. I could scarcely look away from him. He was rather pale that
evening, but there seemed to be a light behind his pallor, and his eyes
seemed to see so much more than the purple and yellow of the heather and
gorse as they rested on them.

After I had watched him silently for a little while I leaned forward and
pointed to a part of the moor where there was an unbroken blaze of gorse
in full bloom like a big patch of gold.

"That is where I was sitting when Wee Brown Elspeth was first brought to
me," I said.

He sat upright and looked. "Is it?" he answered. "Will you take me there
to-morrow? I have always wanted to see the place."

"Would you like to go early in the morning? The mist is more likely to
be there then, as it was that day. It is so mysterious and beautiful.
Would you like to do that?" I asked him.

"Better than anything else!" he said. "Yes, let us go in the morning."

"Wee Brown Elspeth seems very near me this evening," I said. "I feel as
if--" I broke off and began again. "I have a puzzled feeling about her.
This afternoon I found some manuscript pushed behind a book on a high
shelf in the library. Angus said he had hidden it there because it was a
savage story he did not wish me to read. It was the history of the feud
between Ian Red Hand and Dark Malcolm of the Glen. Dark Malcolm's child
was called Wee Brown Elspeth hundreds of years ago--five hundred, I
think. It makes me feel so bewildered when I remember the one I played
with."

"It was a bloody story," he said. "I heard it only a few days before we
met at Sir Ian's house in London."

That made me recall something.

"Was that why you started when I told you about Elspeth?" I asked.

"Yes. Perhaps the one you played with was a little descendant who had
inherited her name," he answered, a trifle hurriedly. "I confess I was
startled for a moment."

I put my hand up to my forehead and rubbed it unconsciously. I could not
help seeing a woesome picture.

"Poor little soul, with the blood pouring from her heart and her brown
hair spread over her dead father's breast!" I stopped, because a faint
memory came back to me. "Mine," I stammered--"mine--how strange!--had
a great stain on the embroideries of her dress. She looked at it--and
looked. She looked as if she didn't like it--as if she didn't understand
how it came there. She covered it with ferns and bluebells."

I felt as if I were being drawn away into a dream. I made a sudden
effort to come back. I ceased rubbing my forehead and dropped my hand,
sitting upright.

"I must ask Angus and Jean to tell me about her," I said. "Of course,
they must have known. I wonder why I never thought of asking questions
before."

It was a strange look I met when I involuntarily turned toward him--such
an absorbed, strange, tender look!

I knew he sat quite late in the library that night, talking to Angus
after his mother and I went to our rooms. Just as I was falling asleep
I remember there floated through my mind a vague recollection of
what Angus had said to me of asking his advice about something; and I
wondered if he would reach the subject in their talk, or if they would
spend all their time in poring over manuscripts and books together.

The moor wore its most mysterious look when I got up in the early
morning. It had hidden itself in its softest snows of white, swathing
mist. Only here and there dark fir-trees showed themselves above it, and
now and then the whiteness thinned or broke and drifted. It was as I had
wanted him to see it--just as I had wanted to walk through it with him.

We had met in the hall as we had planned, and, wrapped in our plaids
because the early morning air was cold, we tramped away together. No one
but myself could ever realize what it was like. I had never known that
there could be such a feeling of companionship in the world. It would
not have been necessary for us to talk at all if we had felt silent. We
should have been saying things to each other without words. But we did
talk as we walked--in quiet voices which seemed made quieter by the
mist, and of quiet things which such voices seemed to belong to.

We crossed the park to a stile in a hedge where a path led at once on to
the moor. Part of the park itself had once been moorland, and was dark
with slender firs and thick grown with heather and broom. On the moor
the mist grew thicker, and if I had not so well known the path we might
have lost ourselves in it. Also I knew by heart certain little streams
that rushed and made guiding sounds which were sometimes loud whispers
and sometimes singing babbles. The damp, sweet scent of fern and heather
was in our nostrils; as we climbed we breathed its freshness.

"There is a sort of unearthly loveliness in it all," Hector MacNairn
said to me. His voice was rather like his mother's. It always seemed to
say so much more than his words.

"We might be ghosts," I answered. "We might be some of those the mist
hides because they like to be hidden."

"You would not be afraid if you met one of them?" he said.

"No. I think I am sure of that. I should feel that it was only like
myself, and, if I could hear, might tell me things I want to know."

"What do you want to know?" he asked me, very low. "You!"

"Only what everybody wants to know--that it is really AWAKENING free,
ready for wonderful new things, finding oneself in the midst of wonders.
I don't mean angels with harps and crowns, but beauty such as we see
now; only seeing it without burdens of fears before and behind us. And
knowing there is no reason to be afraid. We have all been so afraid. We
don't know how afraid we have been--of everything."

I stopped among the heather and threw my arms out wide. I drew in a
great, joyous morning breath.

"Free like that! It is the freeness, the light, splendid freeness, I
think of most."

"The freeness!" he repeated. "Yes, the freeness!"

"As for beauty," I almost whispered, in a sort of reverence for visions
I remembered, "I have stood on this moor a thousand times and seen
loveliness which made me tremble. One's soul could want no more in any
life. But 'Out on the Hillside' I KNEW I was part of it, and it was
ecstasy. That was the freeness."

"Yes--it was the freeness," he answered.

We brushed through the heather and the bracken, and flower-bells shook
showers of radiant drops upon us. The mist wavered and sometimes lifted
before us, and opened up mystic vistas to veil them again a few minutes
later. The sun tried to break through, and sometimes we walked in a
golden haze.

We fell into silence. Now and then I glanced sidewise at my companion as
we made our soundless way over the thick moss. He looked so strong
and beautiful. His tall body was so fine, his shoulders so broad and
splendid! How could it be! How could it be! As he tramped beside me he
was thinking deeply, and he knew he need not talk to me. That made me
glad--that he should know me so well and feel me so near. That was what
he felt when he was with his mother, that she understood and that at
times neither of them needed words.

Until we had reached the patch of gorse where we intended to end our
walk we did not speak at all. He was thinking of things which led him
far. I knew that, though I did not know what they were. When we reached
the golden blaze we had seen the evening before it was a flame of gold
again, because--it was only for a few moments--the mist had blown apart
and the sun was shining on it.

As we stood in the midst of it together--Oh! how strange and beautiful
it was!--Mr. MacNairn came back. That was what it seemed to me--that he
came back. He stood quite still a moment and looked about him, and then
he stretched out his arms as I had stretched out mine. But he did it
slowly, and a light came into his face.

"If, after it was over, a man awakened as you said and found
himself--the self he knew, but light, free, splendid--remembering all
the ages of dark, unknowing dread, of horror of some black, aimless
plunge, and suddenly seeing all the childish uselessness of it--how he
would stand and smile! How he would stand and SMILE!"

Never had I understood anything more clearly than I understood then.
Yes, yes! That would be it. Remembering all the waste of fear, how he
would stand and SMILE!

He was smiling himself, the golden gorse about him already losing its
flame in the light returning mist-wraiths closing again over it, when I
heard a sound far away and high up the moor. It sounded like the playing
of a piper. He did not seem to notice it.

"We shall be shut in again," he said. "How mysterious it is, this
opening and closing! I like it more than anything else. Let us sit down,
Ysobel."

He spread the plaid we had brought to sit on, and laid on it the little
strapped basket Jean had made ready for us. He shook the mist drops from
our own plaids, and as I was about to sit down I stopped a moment to
listen.

"That is a tune I never heard on the pipes before," I said. "What is a
piper doing out on the moor so early?"

He listened also. "It must be far away. I don't hear it," he said.
"Perhaps it is a bird whistling."

"It is far away," I answered, "but it is not a bird. It's the pipes, and
playing such a strange tune. There! It has stopped!"

But it was not silent long; I heard the tune begin again much nearer,
and the piper was plainly coming toward us. I turned my head.

The mist was clearing, and floated about like a thin veil through which
one could see objects. At a short distance above us on the moor I saw
something moving. It was a man who was playing the pipes. It was the
piper, and almost at once I knew him, because it was actually my own
Feargus, stepping proudly through the heather with his step like a stag
on the hills. His head was held high, and his face had a sort of elated
delight in it as if he were enjoying himself and the morning and the
music in a new way. I was so surprised that I rose to my feet and called
to him.

"Feargus!" I cried. "What--"

I knew he heard me, because he turned and looked at me with the most
extraordinary smile. He was usually a rather grave-faced man, but this
smile had a kind of startling triumph in it. He certainly heard me, for
he whipped off his bonnet in a salute which was as triumphant as the
smile. But he did not answer, and actually passed in and out of sight in
the mist.

When I rose Mr. MacNairn had risen, too. When I turned to speak in my
surprise, he had fixed on me his watchful look.

"Imagine its being Feargus at this hour!" I exclaimed. "And why did
he pass by in such a hurry without answering? He must have been to a
wedding and have been up all night. He looked--" I stopped a second and
laughed.

"How did he look?" Mr. MacNairn asked.

"Pale! That won't do--though he certainly didn't look ill." I laughed
again. "I'm laughing because he looked almost like one of the White
People."

"Are you sure it was Feargus?" he said.

"Quite sure. No one else is the least like Feargus. Didn't you see him
yourself?"

"I don't know him as well as you do; and there was the mist," was his
answer. "But he certainly was not one of the White People when I saw him
last night."

I wondered why he looked as he did when he took my hand and drew me down
to my place on the plaid again. He did not let it go when he sat down by
my side. He held it in his own large, handsome one, looking down on it
a moment or so; and then he bent his head and kissed it long and slowly
two or three times.

"Dear little Ysobel!" he said. "Beloved, strange little Ysobel."

"Am I strange!" I said, softly.

"Yes, thank God!" he answered.

I had known that some day when we were at Muircarrie together he would
tell me what his mother had told me--about what we three might have been
to one another. I trembled with happiness at the thought of hearing him
say it himself. I knew he was going to say it now.

He held my hand and stroked it. "My mother told you, Ysobel--what I am
waiting for?" he said.

"Yes."

"Do you know I love you?" he said, very low.

"Yes. I love you, too. My whole life would have been heaven if we could
always have been together," was my answer.

He drew me up into his arms so that my cheek lay against his breast as
I went on, holding fast to the rough tweed of his jacket and whispering:
"I should have belonged to you two, heart and body and soul. I should
never have been lonely again. I should have known nothing, whatsoever
happened, but tender joy."

"Whatsoever happened?" he murmured.

"Whatsoever happens now, Ysobel, know nothing but tender joy. I think
you CAN. 'Out on the Hillside!' Let us remember."

"Yes, yes," I said; "'Out on the Hillside.'" And our two faces, damp
with the sweet mist, were pressed together.



CHAPTER X

The mist had floated away, and the moor was drenched with golden
sunshine when we went back to the castle. As we entered the hall I heard
the sound of a dog howling, and spoke of it to one of the men-servants
who had opened the door.

"That sounds like Gelert. Is he shut up somewhere?"

Gelert was a beautiful sheep-dog who belonged to Feargus and was his
heart's friend. I allowed him to be kept in the courtyard.

The man hesitated before he answered me, with a curiously grave face.

"It is Gelert, miss. He is howling for his master. We were obliged to
shut him in the stables."

"But Feargus ought to have reached here by this time," I was beginning.

I was stopped because I found Angus Macayre almost at my elbow. He had
that moment come out of the library. He put his hand on my arm.

"Will ye come with me?" he said, and led me back to the room he had
just left. He kept his hand on my arm when we all stood together inside,
Hector and I looking at him in wondering question. He was going to tell
me something--we both saw that.

"It is a sad thing you have to hear," he said. "He was a fine man,
Feargus, and a most faithful servant. He went to see his mother last
night and came back late across the moor. There was a heavy mist, and he
must have lost his way. A shepherd found his body in a tarn at daybreak.
They took him back to his father's home."

I looked at Hector MacNairn and again at Angus. "But it couldn't be
Feargus," I cried. "I saw him an hour ago. He passed us playing on his
pipes. He was playing a new tune I had never heard before a wonderful,
joyous thing. I both heard and SAW him!"

Angus stood still and watched me. They both stood still and watched me,
and even in my excitement I saw that each of them looked a little pale.

"You said you did not hear him at first, but you surely saw him when
he passed so near," I protested. "I called to him, and he took off his
bonnet, though he did not stop. He was going so quickly that perhaps he
did not hear me call his name."

What strange thing in Hector's look checked me? Who knows?

"You DID see him, didn't you?" I asked of him.

Then he and Angus exchanged glances, as if asking each other to decide
some grave thing. It was Hector MacNairn who decided it.

"No," he answered, very quietly, "I neither saw nor heard him, even when
he passed. But you did."

"I did, quite plainly," I went on, more and more bewildered by the
way in which they kept a sort of tender, awed gaze fixed on me. "You
remember I even noticed that he looked pale. I laughed, you know, when I
said he looked almost like one of the White People--"

Just then my breath caught itself and I stopped. I began to remember
things--hundreds of things.

Angus spoke to me again as quietly as Hector had spoken.

"Neither Jean nor I ever saw Wee Brown Elspeth," he said--"neither Jean
nor I. But you did. You have always seen what the rest of us did not
see, my bairn--always."

I stammered out a few words, half in a whisper. "I have always seen what
you others could not see? WHAT--HAVE--I--SEEN?"

But I was not frightened. I suppose I could never tell any one what
strange, wide, bright places seemed suddenly to open and shine before
me. Not places to shrink back from--oh no! no! One could be sure,
then--SURE! Feargus had lifted his bonnet with that extraordinary
triumph in his look--even Feargus, who had been rather dour.

"You called them the White People," Hector MacNairn said.


Angus and Jean had known all my life. A very old shepherd who had looked
in my face when I was a baby had said I had the eyes which "SAW." It
was only the saying of an old Highlander, and might not have been
remembered. Later the two began to believe I had a sight they had not.
The night before Wee Brown Elspeth had been brought to me Angus had read
for the first time the story of Dark Malcolm, and as they sat near me on
the moor they had been talking about it. That was why he forgot himself
when I came to ask them where the child had gone, and told him of the
big, dark man with the scar on his forehead. After that they were sure.

They had always hidden their knowledge from me because they were afraid
it might frighten me to be told. I had not been a strong child. They
kept the secret from my relatives because they knew they would dislike
to hear it and would not believe, and also would dislike me as a queer,
abnormal creature. Angus had fears of what they might do with doctors
and severe efforts to obliterate from my mind my "nonsense," as they
would have been sure to call it. The two wise souls had shielded me on
every side.

"It was better that you should go on thinking it only a simple, natural
thing," Angus said. "And as to natural, what IS natural and what is not?
Man has not learned all the laws of nature yet. Nature's a grand, rich,
endless thing, always unrolling her scroll with writings that seem new
on it. They're not new. They were always written there. But they were
not unrolled. Never a law broken, never a new law, only laws read with
stronger eyes."

Angus and I had always been very fond of the Bible--the strange old
temple of wonders, full of all the poems and tragedies and histories of
man, his hates and battles and loves and follies, and of the Wisdom of
the universe and the promises of the splendors of it, and which even
those of us who think ourselves the most believing neither wholly
believe nor will understand. We had pored over and talked of it. We had
never thought of it as only a pious thing to do. The book was to us one
of the mystic, awe-inspiring, prophetic marvels of the world.

That was what made me say, half whispering: "I have wondered and
wondered what it meant--that verse in Isaiah: 'Behold the former things
are come to pass and new things do I declare; before they spring forth I
tell you of them.' Perhaps it means only the unrolling of the scroll."

"Aye, aye!" said Angus; "it is full of such deep sayings, and none of us
will listen to them."

"It has taken man eons of time," Hector MacNairn said, thinking it out
as he spoke--"eons of time to reach the point where he is beginning to
know that in every stock and stone in his path may lie hidden some
power he has not yet dreamed of. He has learned that lightning may be
commanded, distance conquered, motion chained and utilized; but he, the
one CONSCIOUS force, has never yet begun to suspect that of all others
he may be the one as yet the least explored. How do we know that there
does not lie in each of us a wholly natural but, so far, dormant power
of sight--a power to see what has been called The Unseen through all the
Ages whose sightlessness has made them Dark? Who knows when the
Shadow around us may begin to clear? Oh, we are a dull lot--we human
things--with a queer, obstinate conceit of ourselves."

"Complete we think we are," Angus murmured half to himself. "Finished
creatures! And look at us! How many of us in a million have beauty
and health and full power? And believing that the law is that we must
crumple and go to pieces hour by hour! Who'd waste the time making a
clock that went wrong as often? Nay, nay! We shall learn better than
this as time goes on. And we'd better be beginning and setting our minds
to work on it. 'Tis for us to do--the minds of us. And what's the mind
of us but the Mind that made us? Simple and straight enough it is when
once you begin to think it out. The spirit of you sees clearer than we
do, that's all," he said to me. "When your mother brought you into the
world she was listening to one outside calling to her, and it opened the
way for you."

At night Hector MacNairn and his mother and I sat on the terrace under
stars which seemed listening things, and we three drew nearer to one
another, and nearer and nearer.

"When the poor mother stumbled into the train that day," was one of the
things Hector told me, "I was thinking of The Fear and of my own mother.
You looked so slight and small as you sat in your corner that I thought
at first you were almost a child. Then a far look in your eyes made me
begin to watch you. You were so sorry for the poor woman that you could
not look away from her, and something in your face touched and puzzled
me. You leaned forward suddenly and put out your hand protectingly as
she stepped down on to the platform.

"That night when you spoke quite naturally of the child, never doubting
that I had seen it, I suddenly began to suspect. Because of The
Fear"--he hesitated--"I had been reading and thinking many things new to
me. I did not know what I believed. But you spoke so simply, and I knew
you were speaking the truth. Then you spoke just as naturally of Wee
Brown Elspeth. That startled me because not long before I had been told
the tale in the Highlands by a fine old story-teller who is the head of
his clan. I saw you had never heard the story before. And yet you were
telling me that you had played with the child."

"He came home and told me about you," Mrs. MacNairn said. "His fear of
The Fear was more for me than for himself. He knew that if he brought
you to me, you who are more complete than we are, clearer-eyed and
nearer, nearer, I should begin to feel that he was not going--out. I
should begin to feel a reality and nearness myself. Ah, Ysobel! How we
have clung to you and loved you! And then that wonderful afternoon! I
saw no girl with her hand through Mr. Le Breton's arm; Hector saw none.
But you saw her. She was THERE!"

"Yes, she was there," I answered. "She was there, smiling up at him. I
wish he could have known."


What does it matter if this seems a strange story? To some it will mean
something; to some it will mean nothing. To those it has a meaning for
it will open wide windows into the light and lift heavy loads. That
would be quite enough, even if the rest thought it only the weird fancy
of a queer girl who had lived alone and given rein to her silliest
imaginings. I wanted to tell it, howsoever poorly and ineffectively
it was done. Since I KNEW I have dropped the load of ages--the black
burden. Out on the hillside my feet did not even feel the grass, and yet
I was standing, not floating. I had no wings or crown. I was only Ysobel
out on the hillside, free!


This is the way it all ended.

For three weeks that were like heaven we three lived together at
Muircarrie. We saw every beauty and shared every joy of sun and dew and
love and tender understanding.

After one lovely day we had spent on the moor in a quiet dream of joy
almost strange in its perfectness, we came back to the castle; and,
because the sunset was of such unearthly radiance and changing wonder
we sat on the terrace until the last soft touch of gold had died out and
left the pure, still, clear, long summer twilight.

When Mrs. MacNairn and I went in to dress for dinner, Hector lingered a
little behind us because the silent beauty held him.

I came down before his mother did, and I went out upon the terrace again
because I saw he was still sitting there. I went to the stone balustrade
very quietly and leaned against it as I turned to look at him and speak.

Then I stood quite still and looked long--for some reason not startled,
not anguished, not even feeling that he had gone. He was more beautiful
than any human creature I had ever seen before. But It had happened as
they said it would. He had not ceased--but something else had. Something
had ceased.


It was the next evening before I came out on the terrace again. The day
had been more exquisite and the sunset more wonderful than before. Mrs.
MacNairn was sitting by her son's side in the bedroom whose windows
looked over the moor. I am not going to say one word of what had come
between the two sunsets. Mrs. MacNairn and I had clung--and clung. We
had promised never to part from each other. I did not quite know why I
went out on the terrace; perhaps it was because I had always loved to
sit or stand there.

This evening I stood and leaned upon the balustrade, looking out far,
far, far over the moor. I stood and gazed and gazed. I was thinking
about the Secret and the Hillside. I was very quiet--as quiet as the
twilight's self. And there came back to me the memory of what Hector had
said as we stood on the golden patch of gorse when the mist had for
a moment or so blown aside, what he had said of man's awakening, and,
remembering all the ages of--childish, useless dread, how he would
stand-- I did not turn suddenly, but slowly. I was not startled in the
faintest degree. He stood there close to me as he had so often stood.

And he stood--and smiled.

I have seen him many times since. I shall see him many times again. And
when I see him he always stands--and smiles.





End of Project Gutenberg's The White People, by Frances Hodgson Burnett

*** END OF THIS PROJECT GUTENBERG EBOOK THE WHITE PEOPLE ***

***** This file should be named 459.txt or 459.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/5/459/

Produced by Charles Keller and David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.